Studie se zabývá písňovými kompozicemi československého židovského skladatele Viktora Ullmanna z let 1937 - 1942., Kateřina Riethofová., Rubrika: Studie, and Anglické resumé na s. 405, anglický abstrakt na s. 385
This study focuses on marches in 19th century Serbian salon music for piano composed by Czech musicians. It deals in particular with piano arrangements of orchestral works. Reference is also made to the contribution of Czech musicians towards the Europeanization of Serbian music in the 19th century as well as to their versatile activities in the roles of conductors of military bands and theatre orchestras, orchestral players, choirmasters, music teachers, and composers., Marijana Kokanović Marković., Rubrika: Studie, and Německé resumé na s. 116, anglický abstrakt na s. 103.
Studie Karla Veverky se zabývá mešními díly hudebního skladatele Antonia Caldary, jejichž opisy se dochovaly v hudebních sbírkách v Praze, se zaměřením na významnou sbérku hudebnin z kůru pražských křižovníků., This study deals with individual aspects and problems of research on the Masses by Antonio Caldara with source materials held in Prague. Representing the basic material are two copies from the collection of the Knights of the Cross with the Red Star along with concordant sources amassed from Czech and foreign archives. The effectiveness of the standard methods used for studying musical sources is put to the test on a selected sampling of material. The comparison of individual copies helps answer questions not only about provenience or filial relationships between materials, but also about period performance practice. The goal of the study is to make at least a partial contribution towards systematic research on the musical life of Prague in the first half of the 18th century, when Caldara’s Masses were significantly represented in church music collections., Karel Veverka., Rubrika: Studie, and Anglické resumé na s. 93, anglický abstrakt 81.
Upon closer study, the brief three-voice compositions by Johannes Tourout preserved in Bohemian sources of 15th-century polyphony with Latin texts turn out to be problematic. By analyzing the musical component of these compositions, the author of the study has determined that the works are contrafacta of chansons. At the same time, he has attempted to find the French texts for which Tourouts music may have been originally composed. Although the reconstruction is purely hypothetical, the results are an important argument in the current discussions of the musical culture of Central Europe in the latter half of the fifteenth century., Jaap van Benthem., Rubrika: Studie, and České resumé na s. 238, anglický abstrakt na s. 221.
Studie Janky Petőczové se zabývá osobností hudebního skladatele Jána Šimráka (Johann Schimrack) a věnuje se také problému varianty jména Šimbracký, která byla v slovenské muzikologii užívána ještě nedávno., Janka Petőczová., Rubrika: Studie, and Slovenské resumé na s. 314, anglický abstrakt na s. 273.
Studie Marty Hulkové se zabývá rozšířením repertoáru hudební skladatelů na pražském dvoře císaře Rudolfa II. v historickém prostoru Horních Uher v době jeho vlády., Marta Hulková., Rubrika: Studie, and Slovenské resumé na s. 157, anglický abstrakt na s. 133.