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Start Over Subject digital humanities Date Unknown

2. Digital Humanities Courses at Czech Colleges 2017/2018

Creator:
Cinková, Silvie and Škvrňák, Jan
Publisher:
Charles University, Faculty of Mathematics and Physics, Institute of Formal and Applied Linguistics (UFAL)
Type:
text and corpus
Subject:
digital humanities and course registry
Language:
Czech
Description:
Titles of courses possibly relevant to the Digital Humanities for 2017-2018, manually gathered from course catalogues of most Czech state colleges, including the names of the teachers, department and school names, and the school-unique course IDs. All this information was publicly available in the individual course catalogues accessed from the official websites of the individual colleges.
Rights:
Public Domain Mark (PD), http://creativecommons.org/publicdomain/mark/1.0/, and PUB

6. Literarybibliography.eu - modelový příklad pro tvorbu mezinárodní oborové bibliografie

Creator:
Umerle, Tomasz and Malínek, Vojtěch
Format:
bez média and svazek
Type:
model:article and TEXT
Subject:
bibliografie, literární věda, digital humanities, databáze, datový výzkum, bibliography, literary studies, databases, and data research
Language:
Czech
Description:
The advanced use of digital technologies, the existence of freely accessible structured knowledge bases, the increasing level of standardization and the needs of the scientific community offer those who process bibliographical data qualitatively new options for processing such data. In line with current trends in accessing scientific data, which are also reflected in the development of scientific policies (FAIR principles, open science, linkable open data, etc.), the issue of the re-use of existing datasets is gaining in importance. The present text uses the example of the Literarybibliography.eu portal to indicate the options for creating an international subject bibliography for literary studies from existing data sources, while discussing both the theoretical concept behind the project and the technological and methodological issues involved in the creation of such a bibliography, especially the harmonization and further enhancement of the source data.
Rights:
http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public

7. Malach Center User Interface 1.0

Creator:
Kocián, Jiří and Obdržálek, Pavel
Publisher:
Malach Center for Visual History, Institute of Formal and Applied Linguistics, Charles University
Type:
tool and toolService
Subject:
digital humanities, database, search engine, Jews, Holocaust, History, Oral History, Visual History, and digital archive of cultural heritage
Description:
Source code of the first full and running version for the Malach Center User Interface, does not contain data or metadata fo the digital objects and resources.
Rights:
GNU General Public Licence, version 3, http://opensource.org/licenses/GPL-3.0, and PUB

9. Zdrojový kód jako literární technologie?: O vytváření faktů v digitálním věku

Creator:
Radim Hladík
Format:
print, bez média, and svazek
Type:
model:article and TEXT
Subject:
humanitní vědy, filozofie vědy, humanities, philosophy of science, literary technology, source code, e-research, scientific knowledge, digital humanities, 12, and 00
Language:
Czech
Description:
Vzrůstající využívání digitálních technologií ve vědecké práci a komunikaci vyvolává otázku, jaká je epistemologická povaha takto vytvořeného vědění. V tomto eseji využívám pojmový aparát, který vyvinuli Steven Shapin a Simon Schaffer k analýze historického sporu mezi Robertem Boylem a Thomasem Hobbesem o způsob vytváření vědění v přírodní filosofii, a aplikuji jej na problematiku digitálního výzkumu. Jejich koncepty tří technologií vytvářejících vědění - materiální, literární a sociální - se ukazují jako heuristicky užitečné koncepty i pro reflexi digitálních technologií. Ty jsou v eseji představeny nikoliv jako samostatné technologie vytváření faktů, nýbrž jako prvky, kolem nichž se dosavadní vědecké technologie radikálně rekonfigurují. Zvláštní pozornost esej věnuje představě kódu jako literární technologie a roli digitálních technologií v humanitních vědách., The increasing use of digital technologies in scientific work and communication raises the question of the epistemological nature of knowledge thus produced. In this essay, I am employing the conceptual apparatus developed by Steven Shapin and Simon Schaffer for the analysis of the historical dispute between Robert Boyle and Thomas Hobbes over the ways of producing knowledge in natural philosophy, and applying it to digital research. Their concept of three knowledge-making technologies - material, literary and social - appear to be heuristically useful concepts for reflecting on digital technologies as well. The latter are presented in the essay not as a separate facts-producing technology, but as elements around which the existing scientific technologies are radically reconfigured. Particular attention is paid to the concept of code as a literary technology and the role of digital technologies in the humanities., Radim Hladík., and Obsahuje bibliografii
Rights:
http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public

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