This study focuses on marches in 19th century Serbian salon music for piano composed by Czech musicians. It deals in particular with piano arrangements of orchestral works. Reference is also made to the contribution of Czech musicians towards the Europeanization of Serbian music in the 19th century as well as to their versatile activities in the roles of conductors of military bands and theatre orchestras, orchestral players, choirmasters, music teachers, and composers., Marijana Kokanović Marković., Rubrika: Studie, and Německé resumé na s. 116, anglický abstrakt na s. 103.
The manuscript collection of polyphonic compositions, a so-called Codex Speciálník (Prague, ca. 1485-1500), is presented in the study as a possible starting point for an investigation of the everyday life of a late medieval town. The centre of attention is primarily the alphabetically arranged index of the compositions, which was to facilitate orientation in the musical contents of the codex. The majority of the compositions were copied into the manuscript without the name of the author, therefore the textual incipits were used in the index for the identification of the anonymous songs and motets. and Lenka Hlávková.
Jubilejní publikace vydaná k 30. výročí existence hudebního nakladatelství Františka Augustina Urbánka., "Pánu, panu Fr. A. Urbánkovi, českému knihkupci, nakladateli atd., k 60. narozeninám"--Za titulním listem., and Prag (Česko). Praag (Česko). Praga (Česko). Prago (Česko). Prague (Česko). Puraha (Česko). Velká Praha (Česko). Královské hlavní město Praha (Česko).