Subject: opera - LINDAT/CLARIAH-CZ Catalog Search Results

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Creator:: Burjanek, Josef,
Type:: text and studie
Subject:: Divadelní hudba. Opera, opereta, muzikál, Zich, Otakar,, opera, estetika, kritika hudební, české země 1848-1918, and hudba, tanec, hudební nástroje
Language:: Czech
Description:: Die Ästhetik und Kritik der modernen Oper in den Aufsätzen von Otakar Zich ("Osvěta" 1912-1916).
Rights:: unknown

Creator:: Havelková, Tereza
Type:: text and studie
Subject:: Hudba, Jirásek, Ivo,, Pauer, Jiří,, dějiny hudby, opera, dějiny národní, státnost česká, Československo 1948-1969, Československo 1969-1989, and hudba, tanec, hudební nástroje
Language:: English
Description:: Od krize k bezčasí: národní historie v české opeře po roce 1948.
Rights:: unknown

Creator:: Jáchymovský, Vladislav,
Type:: text and studie
Subject:: Hudba, Marschner, Heinrich,, skladatelé, opera, lázně, české země 1792-1847, hudba, tanec, hudební nástroje, Německo, and světové dějiny 1789-1918
Language:: German
Rights:: unknown

Creator:: Lütteken, Laurenz,
Type:: text and studie
Subject:: Hudba, Fux, Johann Joseph,, Karel, hudba, opera, řád, jezuité, korunovace, české země 1620-1740, církevní řády a kongregace, náboženská bratrstva, kláštery, and hudba, tanec, hudební nástroje
Language:: German
Description:: Korunovační opera Constanza e Fortezza od Johanna Josepha Fuxe.
Rights:: unknown

Creator:: Ottlová, Marta,
Type:: text and studie
Subject:: Hudba, opera, film a filmy, motivy, světové dějiny 1789-1918, and hudba, tanec, hudební nástroje
Language:: Czech
Description:: Music is the language of feeling as words are the language of reason.
Rights:: unknown

Creator:: Niubó, Marc
Format:: print, text, regular print, bez média, and svazek
Type:: model:article and TEXT
Subject:: Bustelli, Giuseppe, 1731-1781, Bondini, Pasquale, asi 1737-1789, 18. století, opera, Praha (Česko), 8, and 94(437)
Language:: Czech and English
Description:: Despite the state borders, and the different socioeconomical and cultural contexts, productions of Italian opera in Prague and Dresden become considerably interconnected due the activity of the impresario Giuseppe Bustelli. During his directorship (1764-1777 in Prague, 1765-1777 in Dresden) and even in the next decade, more than 50% of the repertoire was shared. Furthermore, some of the artists performed in both cities, and the same or similar adaptations of operas were used. The main difference in repertoire consisted in opera seria productions in Prague until 1777, whereas in Dresden only opera buffa was staged since 1765. Analyses of selected works reveal some of both similar and different performing strategies and their aesthetical, practical as well as political connections., Marc Niubo., and Obsahuje bibliografické odkazy
Rights:: http://creativecommons.org/publicdomain/mark/1.0/ and policy:public

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