In the present text I have attempted to describe the profession of elementary school teacher and the changes it underwent in the last quarter of the 18th century. At that time, the education of the majority of children between the ages of six and twelve or thirteen was mostly in the hands of village schoolmasters, and these are my primary focus. Following the reform of the education system by Maria Teresa, teachers in Bohemia and Moravia were trained predominantly in what were known as preparanda at the Normal School in Prague. Their training differed from that of their predecessors in that their knowledge was now tested in examinations, with greater emphasis on teaching methods and closer supervision. Drawing on lists of teacher training graduates and other sources, I have analysed how many graduated every year and under what conditions, what textbooks they later used in the classroom, and the official view of pedagogy at that time. From those lists I was able to conclude that graduates who only spoke Czech ended up teaching only in small Czech-medium village schools. By looking at certain individual teachers more closely (such as the composer Jakub Jan Ryba, the pastor Tomáš Juren and several members of the Vlach family of teachers from Boleslav), my aim was to describe in outline the career of these "Czech" village schoolmasters, their motivation, level of knowledge, and deduce what they probably taught. From 1787 on, they were subject to inspection by regional school commissioners. I focussed on the first sixteen of these (one for each region), noting in particular how they were selected, their duties and aims. For it is they who were the guarantors of the new school system and the disseminators of the new thinking.As a result of the reforms, mandatory training and more exacting standards, elementary school teachers were able to improve their social standing and prestige., Michal Kneblík., and Obsahuje bibliografické odkazy
During the medieval and early modern eras, most of the European urban authorities intended to rule their cities for the «common good», together with respecting the social hierarchy and privileged status. In the 18th century, however, many voices raised for improving the urban policing and reforming old regulations. Most of police officers claimed for equality of every inhabitant with regards to local police ordinances and petty police courts. But even if the urban rules agreed with their arguments for a more efficient policing, they could not prescribe an equality that would overthrow the Ancien Régime’s social order. Brussels in the 18th century is a good example of this contradiction. It was there impossible to reform the policing for the foreigners nor to create a professional night-watch, because of the strong reluctance of the city aldermen to abandon social privileges which were seen as fundamental freedoms of the country., Catherine Denys ; translated by Laura Bennett., and Obsahuje bibliografické odkazy
In this study we consider the comedies of Ignaz Cornova. Locating his plays within the landscape of late 18th century genres, we examine the specific use the writer makes of contemporary dramatic conventions and the way in which he engineers the social reconciliation that characterizes his comedies. First we take a closer look at the dramatic construction of his plays and compare them with the comedic output of his contemporaries active in Bohemia. We then focus on Cornova’s particular use of the language of comedy, of which we find echoes in his many and varied writings on culture and politics. Finally, we address the issue of relations between the social estates or classes. Our conclusion shows that the storylines Cornova rehearses in his comedies are later exploited in his historical writings and may thus be considered as the author’s recipe for pacifying the social conflicts of the period.