This study deals with the heretofore unknown activity of Leoš Janáček at the two main museum institutes in Brno. It asserts that from ca. 1888 until the end of his life, Leoš Janáček was a member of the Brno Museum Association, and it also makes reference to previously unknown sources from scholarly literature to which he had access as a member of the association. A surprising discovery is that the composers participation in the German-Czech Moravian Museum Society from 1900 was connected with the creation of the first collection of Moravian composers manuscripts (1903) and with an attempt to obtain financial support from the Provincial Committee for a printed edition of works by Moravian composers. We thus get a more complete picture of Janáčeks interactions and contacts in the environment of the Czech and German intellectuals who surrounded him and of the composers involvement in professional activities., Jarmila Procházková., Obsahuje seznam literatury, Rubrika: Studie, and Anglické resumé na s. 350.
Studie Jany Spáčilové se zabývá mešními kompozicemi hudebního skladatele Antonia Caldary, dochovanými v moravských hudebních sbírkách., This article is dedicated to the problem of the erroneous attribution of authorship of Masses to Antonio Caldara in Moravian collections of church music. It contains information about extant records of Masses by Caldara and methodological discussion concerning the reliability of sources with respect to authorship. Also included is an overview of Caldara sources of Moravian provenience, including both extant music and entries in period inventories. Attention is dedicated both to compositions by others regarded in Moravia as works by Antonio Caldara, and to works by Caldara under the names of other composers. Works identified as having been written by other composers are presented in the form of tables, including signatures of all concordant sources found so far in European libraries. The purpose of the article is to give an idea of the standing of Caldara’s works in the repertoire of Moravian church music and to prepare material for a future thematic catalog of Moravian sources of Masses by Caldara., Jana Spáčilová., Rubrika: Studie, and Anglické resumé na s. 75, anglický abstrakt 45.
The aim of this article is to show the course of castle-library auctions in the 1930s on the specific example of the Dietrichstein family. The sale of the Mikulov castle library is placed in the broader context of legal and social changes after the collapse of the Habsburg monarchy and the establishment of the First Czechoslovak Republic (the abolition of fideicommissum, a change in the status of the former nobility). and Kristýna Kaucká.
The article is a continuation of the author’s paper given at the professional conference on historical collections in Olomouc in 2013, which was published in the proceedings of the conference, Bibliotheca Antiqua.1 The author has corrected and expanded some of the data on the life story of Count Pötting on the basis of information from Pötting’s handwritten Diary from 1664-1674 (Diario del conde de Pötting, embajador del Sacro Imperio en Madrid). She provides an overview of the books that are known to have formed part of Pötting’s book collection (26 manuscripts, mostly codices comprising more units, and 46 printed books from the 16th and 17th centuries have been recorded as yet)., Jaroslava Kašparová., and Článek je pokračováním příspěvku předneseného na konferenci k historickým fondům v Olomouci v roce 2013, jehož písemná podoba vyšla ve sborníku Bibliotheca Antiqua.
This study focuses on marches in 19th century Serbian salon music for piano composed by Czech musicians. It deals in particular with piano arrangements of orchestral works. Reference is also made to the contribution of Czech musicians towards the Europeanization of Serbian music in the 19th century as well as to their versatile activities in the roles of conductors of military bands and theatre orchestras, orchestral players, choirmasters, music teachers, and composers., Marijana Kokanović Marković., Rubrika: Studie, and Německé resumé na s. 116, anglický abstrakt na s. 103.
Studie Roberta Škardy se zabývá tvorbou českých skladatelů, využívajících ve svých kompozicích polystylovost a koláž, stejně jako teoretickými aspekty takového typu děl a jejich reflexí v odborných časopisech., The topic of this study is the music of Czech composers based mainly on the juxtaposition of styles, stylizations of historical or jazz music, and the use of quotations in the years between 1960 and 2000. It deals with reconstruction of the meanings of the period musical terms polystylism and collage, and it maps out the use of these terms in the reception of this music at the time and in the compositional theory and practice of Czech musical culture during that forty-year period. The main sources for the analysis of terms were reviews, articles, and scholarly studies in music journals along with the contemporary statements of the composers themselves at the time and at the present. In that context, the study follows the leading representatives from among composers and critics, derives the meanings of the terms polystylism and collage, and places them in the context of Czech music of that period. As an example of a specific composition reflected upon in the context of polystylism and collage and exhibiting a number of elements typical of this compositional orientation, the study contains an analysis of the composition Útěk (The Flight) written by Arnošt Parsch in 1973., Robert Škarda., Rubrika: Studie, and Anglické resumé na s. 199, anglický abstrakt 169.
The catastrophic floods in the Czech lands in July 1997 and August 2002 showed that historical flood memory had been lost. The little used sources to recover it include early printed books. This article brings a selection of several exceptional flood cases captured by printed documents from the 16th-18th centuries. Extant early printed books and the information that they contain (verified from other sources where possible) suitably complement and extend the potential of historical hydrology and meteorology for the study and documentation of early floods that occurred before the beginning of instrumental observations and measurements. and Jan Munzar, Stanislav Ondráček, Lubor Kysučan.