Studie Tomáše Hlobila se zabývá náplní přednášek estetika Johanna Heinricha Dambecka, které Dambeck přednášel během svého pedagogického působení na pražské univerzitě., This article examines contemporaneous reports about two versions of lectures in aesthetics, which were given at Prague University by Johann Heinrich Dambeck (1774–1820). They were recorded by the publisher Joseph Adolf Hanslik (1785–1859) in a manuscript summary in 1819 and a two-volume book published in 1822 and 1823. The article presents a comparison of the two sources in order to determine which parts of the commentary originate with Dambeck and which with Hanslik. Considering the large scope and the bibliographical nature of the chief part of the appendices to the book, the author of the article concludes that they originated not with Dambeck, but with Hanslik., Tomáš Hlobil., Rubrika: Studie, and Německé resumé na s. 130, anglický abstrakt na s. 123.
Studie Karla Veverky se zabývá mešními díly hudebního skladatele Antonia Caldary, jejichž opisy se dochovaly v hudebních sbírkách v Praze, se zaměřením na významnou sbérku hudebnin z kůru pražských křižovníků., This study deals with individual aspects and problems of research on the Masses by Antonio Caldara with source materials held in Prague. Representing the basic material are two copies from the collection of the Knights of the Cross with the Red Star along with concordant sources amassed from Czech and foreign archives. The effectiveness of the standard methods used for studying musical sources is put to the test on a selected sampling of material. The comparison of individual copies helps answer questions not only about provenience or filial relationships between materials, but also about period performance practice. The goal of the study is to make at least a partial contribution towards systematic research on the musical life of Prague in the first half of the 18th century, when Caldara’s Masses were significantly represented in church music collections., Karel Veverka., Rubrika: Studie, and Anglické resumé na s. 93, anglický abstrakt 81.
Upon closer study, the brief three-voice compositions by Johannes Tourout preserved in Bohemian sources of 15th-century polyphony with Latin texts turn out to be problematic. By analyzing the musical component of these compositions, the author of the study has determined that the works are contrafacta of chansons. At the same time, he has attempted to find the French texts for which Tourouts music may have been originally composed. Although the reconstruction is purely hypothetical, the results are an important argument in the current discussions of the musical culture of Central Europe in the latter half of the fifteenth century., Jaap van Benthem., Rubrika: Studie, and České resumé na s. 238, anglický abstrakt na s. 221.
Studie je vnitřně soudržnou interpretací Rortyho pojetí poznání, jak je lze rekonstruovat na základě knihy Filosofie a zrcadlo přírody. Ačkoli Rorty kritizuje v podstatě všechny teorie poznání, lze ukázat, že sám pracuje s jistou pozitivní představou nejen o tom, v čem poznání nespočívá, nýbrž také o tom, oč v něm pozitivně jde. Studie popisuje podstatné ohledy Rortyho pojetí poznání (poznání jako praxe zdůvodňování, poznání jako popis, poznání jako upravování teorie, poznání jako zvládání) a předvádí Rortyho kritiku epistemologie s pozitivní oporou v konceptu sebeurčení. Závěr studie tematizuje otázku, jakým způsobem Rorty může zdůvodnit odmítnutí epistemologie a přijetí hermeneutického hlediska., This study is a systematic interpretation of Rorty’s conception of knowledge as it can be reconstructed on the basis of the book Philosophy and the Mirror of Nature. Although Rorty is sweeping in his criticism of theories of knowledge, it can still be shown that he himself works with a certain positive conception not only of what knowledge does not consist in, but also of what it positively concerns. The study describes the basic points of Rorty’s conception of knowledge (knowledge as the practice of justification, knowledge as description, knowledge as the modification of theory, knowledge as coping), and it presents Rorty’s critique of epistemology in favour of the concept of self-determination. The conclusion of the study looks at the question of how Rorty is able to justify the rejection of epistemology and the acceptance of a hermeneutical viewpoint., and Martin Ritter.
The Library of the Academy of Sciences of the Czech Republic (ASL) manages a significant collection of books on aeronautics. The collection was assembled by the collector Eduard Langer more than a hundred years ago. Its part kept in the ASL consists of 67 printed books in 61 volumes. These are rarely preserved books from the 18th and 19th centuries in Italian, French, English, German and Latin. No other such extensive collection on this topic has been found in domestic libraries, and, although it is only a part of Langer’s original collection, it bears comparison even with collections of world-famous institutions. The text presents this remarkable collection in terms of provenance, authors and genres and is complemented by a list of printed books. and Andrea Jelínková.
Studie Vojtěcha Kyase se analyticky zabývá originálním zpracováním částí mešního textu Gloria, konkrétně Domine Deus a Agnus Dei, v mši Es dur, D 950, hudebního skladatele Franze Schuberta, This study focuses on the question of Schubert’s handling of the Mass text in the Gloria of his Mass in E-Flat Major, D 950. Schubert adapts the text of the Mass to his compositional and conceptual intent. Contrary to usual practice during that period, he joins the section Domine Deus, Agnus Dei together with the qui tollis peccata mundi into a single unit, attempts to make it sound as dramatic as possible, and understands it as a breaking point. This extensive musical passage of 86 measures differs from the surrounding music with its own tempo, meter, and tonal center. At the conclusion of the article, the author also makes reference to the importance of so-called historical concerts held at the home of the music historian R. G. Kiesewetter, which Schubert appears to have attended already before the year 1820., Vojtěch Kyas., Rubrika: Studie, and České resumé na s. 138, anglický abstrakt 131.
Studie Kateřiny Nové se zabývá vzájemnými vztahy mezi dirigentem Václavem Talichem a hudebním vědcem Otakarem Šourkem, které vykládá s pomocí dochované korespondence těchto osobností., The friendship between the music writer, critic, and organizer Otakar Šourek and the world-famous conductor Václav Talich lasted nearly 50 years. We can get an idea of the intensity of their friendship by studying their mutual correspondence. Šourek always deeply admired Talich, and he tried to support him with all of his might (although not unconditionally). Talich, on the other hand, respected Šourek, and he confided in him about his everyday cares and joys, but in their correspondence we also find deep reflections about the music of Antonín Dvořák or comments about current politics and social issues. Talich’s letters thus give us a glimpse beneath the surface of the daily life of one of the most prominent Czech conductors., Kateřina Nová., Rubrika: Studie, and Anglické resumé na s. 319, anglický abstrakt 301.
The music critic, writer, and organizer Otakar Šourek was bound to the world-famous conductor Václav Talich by a close friendship practically throughout their lifetimes. The study of their mutual correspondence provides valuable information about their experiences during the difficult years of the Nazi occupation and following the Communist putsch. Šourek was Talichs advisor and confidant, and even during the hardest years, he always expressed his support for Talich and gave him practical assistance. Talich greatly valued Šourek for his personal character and for the work he had done in the field of Dvořák scholarship. The article is a continuation of a study published in Hudební věda 49 (2012), No. 3, pp. 301-320., Kateřina Nová., Rubrika: Studie, and Anglické resumé na s. 143-144.
The library of the chateau in Strážnice contains a binder’s volume of 25 German printed books from the 16th century, three of which may be considered as unique. Several of them were owned by the famous Lutheran theologian Matthias Flacius Illyricus, who gave them to his fellow believers, Erasmus Minckwitz von Minckwitzburg and Nicolaus von Ansdorf. and Petr Mašek.