This study seeks an answer to the question when and how the Czech romantic K. H. Mácha (1810–1836) started to be seen as a “modern” poet who could inspire authors writing decades after his death. The study proves that the image of “modern” Mácha as the first Czech poet to achieve the autonomy of art already existed between 1860 and 1890, and that Mácha’s artistic reputation grew constantly throughout the second half of the 19th century. This argument is based on a vast amount of evidence, mostly taken from literary journalism and criticism between 1858 and 1910 (the latter year seeing the centenary of Mácha’s birth).
(Statement of Responsibility) par. J. Meyseder, 5 instrumentálních hlasů (Violino principale, Violino 1mo, Violino 2do, Viola, Violoncello), (Ownership) Provenience: Carl J. Schmidt, Klášter minoritů Český Krumlov CZ-CbJVK, and (Version Identification) N. 3. CZ-CbJVK
(Statement of Responsibility) Alois Nanke ; Raupach Ernst Benjamin Salomo, Soprano, Alto, Tenore, Basso, Piano Forte, (Ownership) Provenience: Biskupský seminář České Budějovice CZ-CbJVK, and (Version Identification) M.h.7.; III B 5. CZ-CbJVK
(Statement of Responsibility) vom Joseph Haydn, Torzo - obsahuje pouze part Violonzell, (Ownership) Provenience: opis Wladika CZ-CbJVK, and (Version Identification) bez značek CZ-CbJVK
3 vokální hlasy (Tenor, Bass Prim, Bass Secund), Canone I -- Canone II -- Canone III -- Canone IV -- Canone V -- Canone VI -- Canone VII, (Ownership) Provenience: Wendelin Tögel (opis), Klášter minoritů Český Krumlov CZ-CbJVK, and (Version Identification) bez značek CZ-CbJVK
(Statement of Responsibility) Johann Strauss, 1 instrumentální part - pravděpodobně housle, (Ownership) Provenience: Wendelin Tögel, Klášter minoritů Český Krumlov CZ-CbJVK, and (Version Identification) bez značek CZ-CbJVK