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1232. Báseň "Jaroslav" Rukopisu Kralodvorského: studie historicko-literární

Creator:
Jireček, Hermenegild
Publisher:
Nákladem autorovým
Format:
print, svazek, and iv, 55 stran.
Type:
model:monograph and TEXT
Subject:
Česká literatura (o ní), Rukopisy, prvotisky, staré tisky. Vzácná a pozoruhodná díla, staročeština, poezie, české rukopisy, literární falzifikáty, literárněvědné rozbory, old Czech language, poetry, Czech manuscripts, literary forgeries, literary criticism and history, 811.162.3'0, 821.162.3, 091(=162.3), 82-995, 82.09, (049), 11, 12, 821.162.3.09, and 09
Language:
Czech and Latin
Description:
napsal Hermenegild Jireček.
Rights:
http://creativecommons.org/publicdomain/mark/1.0/ and policy:public

1233. Báseň a dějiny: příspěvek k literárním počátkům Ignáce Cornovy

Creator:
Fapšo, Marek
Format:
bez média and svazek
Type:
model:article and TEXT
Subject:
Enlightenment, poetry, Ignác Cornova, 18th century, war poetry, Seven Years War, enlightenment, patriotism, national movement, osvícenství, básnictví, 18. století, válečná poezie, sedmiletá válka, patriotismus, and národní hnutí
Language:
Czech
Description:
This text considers the early creative output of Ignác Cornova, in particular his lesserknown odes and his war poetry. It draws on contemporary research of the latter third of the 18th century focussing on the dynamic social change of the period, the transformation of the media, the emergence of a modern ‘public’, and changing perceptions of artistic as opposed to educational output. One of the difficulties of conceptualizing this period is the existence of two opposing trends – the older ‘Baroque’ tradition and the more ‘modern’ currents of the future national movement. Our text largely obviates this dichotomy by proposing a framework in which Cornova’s oeuvre is seen as evidence of an idiosyncratic cultural situation with its own features and markers. The aim of our study is to place Cornova’s early works within the literary context of his time – a context hard to appreciate today. We are not looking for the ‘future’ Cornova in those beginnings, nor the ‘embryos’ of his later development. Rather, we hope to rehabilitate the literary context in the Czech lands in the 1770s and 1780s as it veered between late Baroque odes, war reportage, and enlightenment patriotism. Alongside Cornova we consider now forgotten figures such as Vojtěch Koťara, Michael Denis, Johann Joseph Eberle and Václav Thám. The result is not a group biography, but rather a problem analysis of one segment of a period that defies unequivocal definition.
Rights:
http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public

1235. Báseň jako počátek všech hodnot

Creator:
Svatoň, Vladimír
Format:
bez média and svazek
Type:
model:article and TEXT
Subject:
history of literature, research papers, and poetry
Language:
Czech
Description:
Die literaturhistorischen Arbeiten Zdeněk Mathausers sind hauptsächlich der Dichtung gewidmet, insbesondere der russischen. Sein Forschungsinteresse ist nicht auf die biographischen Umstände der Entwicklung der einzelnen Gedichte gerichtet, auch nicht auf ihre formale Beschreibung. Den Gegenstand seiner wissenschaftlichen Untersuchung kann man als phänomenologische Analyse "der eidetischen Struktur der lyrischen Erscheinung und lyrischen Wahrnehmung" bezeichnen. In dieser Hinsicht wirken in seinen Arbeiten fünf grundlegende Kategorien, auf die er in seinem Beitrag hinweist. In seinem Dichtungsverständnis erneuert Zdeněk Mathausers einige Seiten der Ästhetik der romantischen Epoche, welche auch voraussetzt, dass die Kunst den Menschen aus der prosaisch organisierten Welt ausschließen kann. and Ze symposií věnovaných Zdeňku Mathauserovi k 85. narozeninám
Rights:
http://creativecommons.org/publicdomain/mark/1.0/ and policy:public

1237. Basilejská univerzita, tiskař Johannes Frobenius a recepce jeho tisků v českých zemích

Creator:
Boldan, Kamil
Format:
bez média and svazek
Type:
model:article and TEXT
Subject:
book printing in Basel in the 16th century, University of Basel, humanism, book trade, and provenance research
Language:
Czech
Description:
Although Basel book printing had a major influence on the development of humanistic studies in the 16th century, its import into the Czech lands has not been studied so far. This study explores books printed by a famous printer Johann Froben (ca. 1460–1527), and their representation in selected Czech and Moravian libraries. Using methods of provenance research, I have identified specimens that arrived in our territory not long after their printing, paying a special attention to the titles created by people from the circle of the University of Basel. My research has shown that although Czech students rarely attended Basel University until the mid-16th century, works by Basel University scholars from Froben printing house were available in Bohemia and Moravia as early as in the second and third decade of the 16th century. Furthermore, the books printed by Froben penetrated much better into the Catholic regions of Bohemia and Moravia, more open to modern humanistic studies.
Rights:
http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public

1238. Básník jako oběť, svědek i žalobce: kontradějiny v básnické skladbě Ivana Diviše Moje oči musely vidět (1987-1989)

Creator:
Vojvodík, Josef
Format:
bez média and svazek
Type:
model:article and TEXT
Subject:
lyrika, svědectví, dějiny, kritika historismu, fikce, faktualita, lyric, testimony, history, criticism of historicism, fiction, and factuality
Language:
Czech
Description:
Ivan Diviš’s My Eyes had to See (1987–1989) can be considered one of the finest poetic creations and performances of Czech poetry at the end of the 20th century. Its powerful effect lies in the fact that it combines poetic testimony, (auto)biographical intimacy, a suprapersonal, generally applicable message and a reflection on universal history and the modern Czech history of the last century in both fiction and fact. It is as if the identity of the poet is actually determined by the testimony: the poet is the one who sees, must see, and bear witness to what he sees.
Rights:
http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public

1239. Básník pod tlakem kulturní politiky komunistické totality: (Edice výběru z přijaté korespondence Františka Hrubína z let 1950-1966)

Creator:
Ferklová, Renata and Ferkl, Lukáš
Format:
bez média and svazek
Type:
model:article and TEXT
Subject:
František Hrubín (1910-1971), Sleeping Beauty, Czech literature of the 20th century, children literature, theatre for children, fairy tale drama, communist totalitarian regime in Czechoslovakia, culture politics of the 1950’s in Czechoslovakia, and private correspondence edition
Language:
Czech
Description:
Studie se zaměřuje na veršované drama pro děti od Františka Hrubína z roku 1950, inspirované klasickou pohádkou Šípková Růženka. Zabývá se jím v kontextu Hrubínova díla a především v kontextu kulturní politiky komunistické totality. Narušuje obecné přesvědčení, že autoři dětské literatury nemuseli čelit výraznému destruktivnímu tlaku totalitního režimu. Spoluautorka Ludmila Burešová, nakladatelství Osvěta a někteří kritici naléhali na autora, aby provedl některé úpravy ve smyslu ideologie třídního boje v době budování socialistické společnosti, aby přispěl k výchově „nového“, socialistického člověka. Autor odolal, nicméně drama neubránil zcela před dobovými tendencemi, zejména v jeho závěru. Proto se rozhodl nepovolil další rozmnožování textu. Drama bylo oblíbeným repertoárem profesionálních i amatérských divadel do šedesátých let 20. století. Edice korespondence z osobního fondu Františka Hrubína, uloženého v Literárním archivu Památníku národního písemnictví, má dvě části. První obsahuje korespondenci vztahující se přímo k dramatu, druhá dokumentuje dobový kontext básníkovy tvorby, služebné postavení autorů v době komunistické moci v 50. a 60. letech., The study focuses on the rhymed drama for children by František Hrubín, inspired by the classical fairy tale Sleeping Beauty, written in 1950. It shows the piece in the context of Hrubín’s work, and, mainly, in the context of the time of totalitarian communist culture politics. It tries to show that the destructive influence of the totalitarian regime did not leave even the children literature untouched, which is a common myth. The co-author, Ludmila Burešová, the Osvěta publishing house and even some critics tried to force the author for some changes in the sense of the class war ideology in the time of building the “new” socialistic society, during the education of a “new” man. The author resisted this force, however, the drama has some signs of culture deformation, especially in the finale. Therefore, the author decided to not permit further copies of the text. The drama was a popular repertoire of professional and amateur theatres until the end of 1960’s. The edition from the František Hrubín fund, stored in the Literature Archive of the National Museum of Literature has two parts. The first part contains the correspondence regarding the drama; the second part is a selection of letters by various authors, which illustrate the trends of that time and servant-like position of artists in the time of communist power monopoly in the 1950’s and 1960’s. (Translated by Lukáš Ferkl.), and Překlad resumé: Lukáš Ferkl
Rights:
http://creativecommons.org/publicdomain/mark/1.0/ and policy:public

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