This study introduces an emblematic scheme within the stucco decoration of the Palace Chapel in Červené Poříčí. The given emblematic sheme glorifies the Most Sacred Heart of Jesus. It was inspired by the emblem book of the Bavarian theologian Anton Ginther, which was published in 1706. The article tries to place the programme of the decoration into the context of Middle European evolution of the devotion to the Most Sacred Heart of Jesus - a cult that was very popular at the time. Finally, the article places the decorative scheme into political and historical context and discusses the role its patron played in determining the decoration’s commission and execution., Daniela Štěrbová., and Obsahuje bibliografické odkazy
This article considers the development of Miroslav Červenka’s ideas on thetheory of the lyric subject and communication in lyric verse. He did not laythe foundations of this theory till his dissertation, “Významová výstavbaliterárního díla” (The Semantic Structure of a Work of Literature), in whichhe defines the lyric subject as one of the semantic complexes within theoverall structure of the work. Although Červenka never completely abandoned this conception, which stems from a structural and semiotic paradigm, hegradually added to it with impulses from other ways of thinking about literarystudies. In the article “Individuální styl a významová výstavba literárního díla”(Individual Style and the Semantic Structure of a Work of Literature, 1975)he linked the question of subjects in lyric verse to ideas in stylistics and thetheory of interpretation. With his theory of subjects in lyric verse, set forthin the articles “Halasova sebeoslovení” (Halas’s forms of self-address, 1985)and “Sebeoslovení v lyrice” (Self-address in the lyric, 1991), Červenka movestowards perspectitives of communication. He is concerned with current theoryof fiction in the volume Fikčními světy lyriky (Fictional Worlds of Lyric Verse,2003), which, according to this article, was an impulse to methodologicalconsiderations about a model of literary history, which would link involvementin interpreting a text with its contextualization from the perspective ofliterary history.
The paper expands upon the role of the Czech national movement
and the Czech nation or Czech cultural situation in the Kashubian patriotic discourse from the first half of the 19th century until the First World War. It focuses primarily on the period in which it had a direct influence on the "initiation" of the Kashubian patriotic campaign when the founder of the Kashubian movement, Florian Ceynowa, was studying under Czech professors (J. E. Purkyně, F. L. Čelakovský) in Wroclaw (in the 1840s), as well as on Ceynowa’s
subsequent contacts with other members of the Czech national movement until the 1860s. Afterwards, the Kashubian campaign paused in its reflection of the Czech movement. The paper thus then concentrates on the next phase of reflection beginning in the early 20th century, especially in the context of the Young Kashubian program (A. Majkowski, J. Karnowski, K. Kantak). Appreciable ambivalences appear: the Czech movement, and Czechs in general, on the one hand was a paradigmatic example of the successful formation of a modern nation by a formerly
non-dominant ethnic group as well as of dynamic social, cultural, and economic development, but on the other hand criticisms of the Czech mentality and Czech political strategies were voiced. and Obsahuje poznámkový aparát pod čarou