Search

Start Over Format svazek Language Czech

2423. Dead Animals and the Living Society

Creator:
Marzena Szmyt
Format:
print, bez média, and svazek
Type:
model:article and TEXT
Subject:
archeologie, Kujavsko (Polsko), Kujavy (Czechia), Late Neolithic, animal graves, Globular Amphora culture, 8, and 902
Language:
Czech
Description:
This investigation closely examines the so-called animal burials from the Late Neolithic period. The Kujawy site (central Poland), occupied by the globular Amphora culture people, is used here as an example. The information we have on the animal burials from this site suggests important differences from other known animal burial sites. One example is the tendency to place animals in pits within the settlement. In this way, the dead (probably killed) and intentionally buried animals became part of the space used by living people. Another important observation concerns preferences in selecting animals for use in different spheres of human activity including ritual., Marzena Szmyt., and Obsahuje seznam literatury
Rights:
http://creativecommons.org/publicdomain/mark/1.0/ and policy:public

2425. Debata o českém překladu Druhého pohlaví Simone de Beauvoir

Creator:
Placáková, Marianna
Format:
bez média and svazek
Type:
model:article and TEXT
Subject:
Simone de Beauvoir, The Second Sex, debate, Czechoslovakia, feminism, and state socialism
Language:
Czech
Description:
Simone de Beauvoir’s Th e Second Sex was translated into Czech in 1966, the fi rst translation of the book to be published in a socialist state. It was, like many other translations during this period, a compilation of selections and was edited by the phenomenologist Jan Patočka who, in his postscript, presented the work primarily within its philosophical context. Th e book, which was published in three editions within two years and reached a combined print run of almost one hundred thousand copies, reaped substantial acclaim both among the lay and the academic public. Th e main debate about the book unfolded in the magazines Literární noviny and Vlasta, in which the contributors aired their views on the book from various positions – as advocates of phenomenology, Marxism, and the women’s press.
Rights:
http://creativecommons.org/publicdomain/mark/1.0/ and policy:public

2427. Decision-making in the household and material deprivation

Creator:
Maksymovych, Sergii
Publisher:
CERGE-EI
Format:
electronic, svazek, and 38 stran : ilustrace.
Type:
model:monograph and TEXT
Subject:
Ekonomie, domácnosti, rozhodování, osobní finance, gender, households, decision making, personal finance, 330.567.2, 005.311.6, 336.7, 316.66-055.1/.3, (048.8), 4, and 33
Language:
English and Czech
Description:
Sergii Maksymovych., Obsahuje bibliografii a bibliografické odkazy, and České a anglické resumé
Rights:
http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public

2428. Declaratio brevis Corone immaculate virginis: A source for Late Medieval popular piety

Creator:
Kalous, Antonín
Format:
bez média and svazek
Type:
model:article and TEXT
Language:
Czech
Description:
V olomoucké vědecké knihovně je uchováván konvolut čtyř prvotisků, z nichž jeden obsahuje rukopisnou stránku s textem Declaratio brevis Corone immaculate Virginis. Jde o text, který obsahem zapadá do obecných trendů zbožnosti 15. století ve střední Evropě. Pozdní středověk se vyznačoval zvýšenou spiritualitou a důrazem na tradiční objekty lidové zbožnosti – především Pannu Marii a život Krista. Tyto tendence nemalou měrou podpořily i žebravé řády. Byli to dominikáni i minorité (a později především františkáni-observanti), díky jejichž vlivu se rozšířila mariánská zbožnost, a především její vyjádření v podobě růžence. Nejrozšířenější byl růženec dominikánský, který obsahoval sto padesát Zdrávas Maria, ale rozšířily se i jiné verze. Mezi františkány v 15. století byla populární především verze, kterou prosazovali především sv. Bernardin Sienský a sv. Jan Kapistrán, a to verze odvolávající se počtem andělských pozdravení na dobu života Panny Marie na zemi: tento růženec obsahoval šedesát tři (nebo 70, 72, 73) Zdrávas Maria. Františkáni také přinášeli nejnovější evropské trendy do českých zemí po ukončení husitské revoluce; ovšem především na Moravu a do Slezska, kteréžto země byly méně utrakvistické než Čechy. Morava, Slezsko a Lužice se vymanily z mezinárodní izolace mnohem dříve než Čechy. K postupu evropských vlivů došlo nejen díky katolickým městům, ale také v důsledku záboru Matyáše Korvína a spojení těchto zemí s jeho uherským královstvím. Korvín navštívil v roce 1468 Olomouc a při té příležitosti byl vysvěcen kostel Neposkvrněného Početí Panny Marie u františkánského konventu. Nástěnná malba z roku 1500 v tomto kostele zobrazuje Korunování Panny Marie spolu se dvěma řadami vyobrazení, jejichž tematikou je sedm radostí Panny Marie a sedm vylití Krve Kristovy. Podobný obraz se zachoval ve františkánském kostele ve Vratislavi, který ovšem dodává dalších pět řad s dalšími vyobrazeními. Přesto jsou tyto obrazy typologicky podobné a jejich rozšíření připomíná právě obecné trendy zbožnosti na konci středověku, i když můžeme nalézt zcela konkrétní styčné body mezi františkány v Olomouci a ve Vratislavi (biskup a františkán Jan Filipec). Text, vydaný v příloze, popisuje obraz, jenž téměř do detailu odpovídá olomouckému zobrazení (jen na obrazu je sedmdesát tři korálků, kdežto v textu je zaznamenáno třiašedesát let Panny Marie). Tento text vysvětluje, jak se má obraz vnímat a vykládat z hlediska lidové zbožnosti. Dokládá, že takové obrazy byly zřejmě ještě více rozšířeny, a dokonce využívány, jak je vidět i z přiloženého seznamu odpustků poskytovaných věřícím modlícím se modlitbu „koruny Panny Marie“. and A set of four incunabula is deposited in the Research Library of Olomouc. One of them contains a handwritten page with the text Declaratio brevis Corone immaculate Virginis. In terms of its content, this text conforms to general religious trends in the 15th century in Central Europe. The late Middle Ages were characterised by a heightened spirituality and an emphasis on traditional objects of popular piety—first and foremost the Virgin Mary and the life of Christ. To a considerable degree, these trends were also supported by the mendicant orders. Marian piety and its expression in the rosary were spread through the influence of the Dominicans and the Minorites (and later the Franciscan-Observants). The Dominican rosary, which included 150 ‘Hail Marys’, was the most widespread, but other versions were also popular. Among the Franciscans of the 15th century, the most popular version was the one that was allegedly promoted by St Bernardino of Siena and St Giovanni of Capistrano. In this version, the number of angelic salutations referred to the lifespan of the Virgin Mary on earth: this rosary included 63 (or 70, 72, 73) ‘Hail Marys’. After the end of the Hussite revolution, the Franciscans also introduced the latest European trends to the Czech lands, in particular Moravia and Silesia. In these lands, the Utraquist influence was less pronounced than in Bohemia. Moravia, Silesia and Lusatia extricated themselves from international isolation much sooner than did Bohemia. European influences increased on account of the Catholic cities, as well as the conquest of Matthias Corvinus and the joining of these lands to his Hungarian Kingdom. In 1468, Corvinus visited Olomouc and on that occasion the Church of the Immaculate Conception of the Virgin Mary at the Franciscan monastery was consecrated. The wall painting from 1500 in this church depicts the Coronation of the Virgin Mary, along with two rows of depictions on the theme of the seven joys of the Virgin Mary and the seven effusions of the blood of Christ. A similar painting has been preserved in the Franciscan church in Wrocław, which includes a further five rows with other depictions. Nonetheless, these paintings are typologically similar. The fact that the paintings were widespread recalls the general trends of piety at the end of the Middle Ages, although one can find specific points in common between the Franciscans in Olomouc and in Wrocław (the Bishop and Franciscan Jan Filipec). The text, which is published as an addendum, describes a painting, which corresponds in detail to the depiction in Olomouc (except that in the painting there are 73 beads, whereas in the text there is mention of the 63 years of the Virgin Mary). This text explains how the painting should be perceived and interpreted from the perspective of popular piety. It demonstrates that such paintings were clearly even more widespread and in use, as one can see from the attached list of indulgences offered to the faithful who prayed the prayer of ‘the crown of the Virgin Mary’.
Rights:
http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public

2429. Dědictví revoluce 1848-1849

Creator:
Milan Hlavačka
Format:
print, bez média, and svazek
Type:
article, články, model:article, and TEXT
Subject:
Dějiny Česka a Slovenska, 1848-1849, politické dějiny, monarchie, ústava, political history, monarchy, constitution, 8, and 94(437)
Language:
Czech
Description:
From March 1848 through July 1849, the Habsburg Austrian Empire was threatened by revolutionary movements. Much of the revolutionary activity was of a nationalist character: the empire, ruled from Vienna, included Austrian Germans, Hungarians, Slovenes, Poles, Czechs, Slovaks, Ruthenians, Romanians, Serbs, Italians, and Croats, all of whom attempted in the course of the revolution to either achieve autonomy, independence, or even hegemony over other nationalities. and Milan Hlavačka.
Rights:
http://creativecommons.org/publicdomain/mark/1.0/ and policy:public

Limit your search

Show values starting with
more »

Show values starting with
more »

Show values starting with
more »

Show values starting with
more »

Show values starting with
more »

Show values starting with
more »

Show values starting with
more »

View distribution

Current results range from 0 to 2021

View larger »