A ring R is (weakly) nil clean provided that every element in R is the sum of a (weak) idempotent and a nilpotent. We characterize nil and weakly nil matrix rings over abelian rings. Let R be abelian, and let n 2 N. We prove that Mn(R) is nil clean if and only if R/J(R) is Boolean and Mn(J(R)) is nil. Furthermore, we prove that R is weakly nil clean if and only if R is periodic; R/J(R) is Z3, B or Z3 B where B is a Boolean ring, and that Mn(R) is weakly nil clean if and only if Mn(R) is nil clean for all n > 2., Nahid Ashrafi, Marjan Sheibani, Huanyin Chen., and Seznam literatury
Relations introduced by Conrad, Drazin, Hartwig, Mitsch and Nambooripad are discussed on general, regular, completely semisimple and completely regular semigroups. Special properties of these relations as well as possible coincidence of some of them are investigated in some detail. The properties considered are mainly those of being a partial order or compatibility with multiplication. Coincidences of some of these relations are studied mainly on regular and completely regular semigroups.
This study introduces an emblematic scheme within the stucco decoration of the Palace Chapel in Červené Poříčí. The given emblematic sheme glorifies the Most Sacred Heart of Jesus. It was inspired by the emblem book of the Bavarian theologian Anton Ginther, which was published in 1706. The article tries to place the programme of the decoration into the context of Middle European evolution of the devotion to the Most Sacred Heart of Jesus - a cult that was very popular at the time. Finally, the article places the decorative scheme into political and historical context and discusses the role its patron played in determining the decoration’s commission and execution., Daniela Štěrbová., and Obsahuje bibliografické odkazy
This article considers the development of Miroslav Červenka’s ideas on thetheory of the lyric subject and communication in lyric verse. He did not laythe foundations of this theory till his dissertation, “Významová výstavbaliterárního díla” (The Semantic Structure of a Work of Literature), in whichhe defines the lyric subject as one of the semantic complexes within theoverall structure of the work. Although Červenka never completely abandoned this conception, which stems from a structural and semiotic paradigm, hegradually added to it with impulses from other ways of thinking about literarystudies. In the article “Individuální styl a významová výstavba literárního díla”(Individual Style and the Semantic Structure of a Work of Literature, 1975)he linked the question of subjects in lyric verse to ideas in stylistics and thetheory of interpretation. With his theory of subjects in lyric verse, set forthin the articles “Halasova sebeoslovení” (Halas’s forms of self-address, 1985)and “Sebeoslovení v lyrice” (Self-address in the lyric, 1991), Červenka movestowards perspectitives of communication. He is concerned with current theoryof fiction in the volume Fikčními světy lyriky (Fictional Worlds of Lyric Verse,2003), which, according to this article, was an impulse to methodologicalconsiderations about a model of literary history, which would link involvementin interpreting a text with its contextualization from the perspective ofliterary history.
In this paper we deal with Cesàro wedge and weak Cesàro wedge $FK$-spaces, and give several characterizations. Some applications of these spaces to general summability domains are also studied.