Czech Head is aimed at supporting and promoting Czech science and technology. The project annually awards the best scientists and engineers. Prof. Antonín Holý (Institute of Organic Chemistry and Biochemistry) has been awarded by National Prize of the Czech Government., [Gabriela Štefániková]., and Autor užívá šifru srd
Proč se nekříží kočka se psem? Proč se sice může zkřížit kůň s oslem, ale jejich potomci - mulové či mezci - jsou neplodní? Z jakého důvodu jsou někdy strilní i kříženci dvou blízce příbuzných poddruhů, třeba myší, a souvisí to nějak se vznikem nových živočišných druhů? Jeden z nejdůležitějších článků tété záhady odhalil Jiří Forejt z Ústavu molekulární genetiky Akademie věd ČR, kterýá identifikoval první gen u savců zodpovědný za samčí neplodnost mezidruhových kříženců, přečetl ho a ukázal, jak je regulován. and Jana Olivová, Stanislava Kyselová.
An outlook on the, until now, almost unresearched subject of the Czech and French music links between the two World Wars, reveals many levels of their unusual richness. Endorsment of the French Revolution ideals, the Francophile Bohemian nobility of the 19th century, as well as the following political orientation towards France in the war and post-war periods, influenced in a decisive way many types of arts. Links between the two cultures broadened in the fields of the arts, literature, drama as well as music (Mánes). The Parisian colonies of Czech artists (Martinů, Kupka, Šíma, and others) and their contacts, became a source of rich connections between the individua artistic trends. In the process of reception of Czech music in France the local ‘sociétés de concert’ played an important role, orientated towards the development of contemporary chamber music, with interest in foreign composers. Of decisive importance here was the Société ‘Triton’, also in connection of the radio broadcasts of its concerts. The chronological list of the concerts of Czech music in Paris between the two wars represents an important source for future research of this subject.
The aim of this study is to set out a relevant contextual framework for interpreting poetry published on (Czech) Instagram. The author looks at the material under study from a number of perspectives, including generational, economic and especially media perspectives, ultimately finding adequate contextualization outside the framework of literary discourse and actually within the aesthetics and communication practice of Instagram, while drawing key methodological inspiration from the reflections of new media theorist Lev Manovich. In conclusion, Instapoetry is characterized as a paraliterary phenomenon situated on the margins of the literary system, combining elements of literary and Instagram aesthetics and guided by hybrid economics principles.