Studie se zabývá nově objeveným pramenem, obsahujícím antifony k pražskému Officiu k sv. Vojtěchu., David Eben., Rubrika: Studie, and České resumé na s. 19, anglický abstrakt na s. 7
Zpráva informuje o práci Gertraud Marinelli-Königové a její připravované publikace o reflexi českého kulturního života ve vídeňských periodikách v letech 1805-1848., Vlasta Reittererová, Hubert Reitterer., and Rubrika: Informatorium
Studie Jany Perutkové se zabývá provedením opery "Giulio Cesare in Egitto" od hudebního skladatele Georga Friedricha Händela v divadle U Korutanské brány v císařském hlavním městě Vídni a též širší recepci Händelovy hudby v habsburském soustátí v uvedeném časovém období., The goal of the study is to present certain Händel sources that are unknown or have not yet been researched and to investigate the connection of those sources with the capital city of the Habsburg Monarchy, Vienna. At the center of attention is a performance of a pasticcio of Giulio Cesare in Egitto at the Theater am Kärntnertor in Vienna (Kärntnertortheater) in 1731. The study introduces the printed libretto, which has heretofore been regarded as lost, as well as the score of the work that L. Bennett first brought to light. The rediscovery of the libretto has made possible the comparison of these two sources. Also brought to attention is a copy of a collection of arias from this pasticcio that is held in Bratislava. There is furthermore presentation of certain possibilities regarding the identity of the probable compiler of the pasticcio, the composer Francesco Rinaldi, whose three extant operas premiered in Vienna date from the years 1730–1732. Reference is made in the study to the increased interest in Händel’s works in Vienna around the year 1730, and in connection therewith, reference is also made to a Viennese copy of his opera Admeto, which is kept in Meiningen. The study also asserts that at least one of the scores of Händel’s Agrippina held in the Musiksammlung der Österreichischen Nationalbibliothek had been the property of Count Johann Adam von Questenberg., Jana Perutková., Rubrika: Studie, and České resumé na s. 121, anglický abstarkt na s. 95.
Studie Petry Kolátorové se zabývá osobností hobojisty Arnošta (Ernsta) Königa (1838-1915), významného hudebníka pražského hudebního života druhé poloviny 19. století., This contribution maps the activity of Arnošt König (1838–1915), an oboist of German origin, primarily in Prague’s musical life at the time. During the years 1870–1913, A. König was the professor of oboe at the Prague Conservatory, and from 1876 he was an oboist at the Prague Provisional Theatre and then at the National Theatre. Reviews and articles from the period show what an exceptional musician he was, as he earned recognition even beyond Bohemia. Many mentions praising him in the press have been preserved in connection with the difficulty for performers of Dvořák’s Serenade in D Minor, op. 44, in which A. König excelled repeatedly. It can be documented at least twice from Dvořák’s extant correspondence that performances elsewhere of the Serenade were cancelled because of its difficulty. Together with the aforementioned reviews, this fact shows that in Prague Antonín Dvořák (and others) had exceptional conditions for musical performances., Petra Kolátorová., Rubrika: Studie, and Anglické resumé na s. 287, anglický abstrakt 267.
Studie Jiřího Sehnala se zabývá hudebním životem v augustiniánském klášteře u Všech svatých v Olomouci v době baroka a osvícenství., Jiří Sehnal., Rubrika: Studie, and Anglické resumé na s. 271, anglický abstrakt na s. 245.
This study is dedicated to a collection of compositions titled Hudební album (A Musical Album), volumes of which were issued in print from 1891 until 1896 by the Prague publisher Fr. A. Urbanek. The collection focused primarily on piano compositions by contemporary Bohemian composers. The first part of the study is devoted principally to the contents of the collection and to the circumstances of its publishing, then the second part examines the printing of compositions by A. Dvořák (All through the night a bird will sing from the song cycle Evening Songs, op. 31, Furiant, op. 12/2, and Dumka, op. 12/1) in Hudební album in versions that differ from the first editions published by Fr. A. Urbanek. This fact has not yet been researched by Dvořák scholars., Helena Matějčková., and Anglické resumé na s. 333.