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2. Medieval and Renaissance International Music Conference
- Creator:
- Jan Baťa and Eliška Baťová
- Format:
- Type:
- article, zprávy, reports, model:article, and TEXT
- Subject:
- dějiny hudby, hudební konference, muzikologie, renesanční hudba, středověká hudba, conferences on music, history of music, medieval music, musicology, renaissance music, Certaldo (Itálie), (048.8), 78.01, 78:005.745, 78.03"04/14", 78.034.3/.6, and 78(091)
- Language:
- Czech
- Description:
- Příspěvek Elišky a Jana Baťových je zprávou z mezinárodní muzikologické konference, která se uskutečnila v Certaldu ve dnech 4. až 7. července 2013., Jan Baťa, Eliška Baťová., and Rubrika: Konference
- Rights:
- http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public
3. Medieval and Renaissance Music Conference
- Creator:
- Mráčková, Veronika and Jan Baťa
- Format:
- print, bez média, and svazek
- Type:
- article, články, model:article, and TEXT
- Subject:
- 2011-2020, muzikologie, musicology, hudební konference, conferences on music, středověká hudba, medieval music, renesanční hudba, renaissance music, Birmingham (Anglie), Birmingham (England), 78.01, 78:005.745, 78.03"04/14", 78.034.3/.6, and (046)
- Language:
- Czech
- Description:
- Zpráva z 40. ročníku mezinárodní konference MEDREM, uskutečněné 3. - 6. července 2014 v Birminghamu., Veronika Mráčková - Jan Baťa., Rubrika: Konference, and Cizojazyčné resumé není.
- Rights:
- http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public
4. Quoting, Rethinking and Copying: A Few Remarks on the Tradition of the Monophonic Cantio in Central Europe
- Creator:
- Jan Ciglbauer
- Format:
- print, bez média, and svazek
- Type:
- article, články, model:article, and TEXT
- Subject:
- 13.-15. století, muzikologie, musicology, středověké hymny, medieval hymns, středověká hudba, medieval music, dějiny hudby, history of music, Evropa střední, Europe, Central, 78.01, 783.6, 78.03"04/14", 78(091), and (046)
- Language:
- Czech
- Description:
- Studie se zabývá vývojem a geografickým putováním repertoáru jednohlasých cantií ve střední Evropě v 13. - 15. století., Jan Ciglbauer., Rubrika: Studie, and České resumé na s. 32, anglický abstrakt na s. 21
- Rights:
- http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public
5. Rescued by Transplantation: an unorthodox approach to lost chansons by Johannes Tourout in polyphonic sources from Bohemia
- Creator:
- Benthem, Jaap van
- Format:
- Type:
- article, studie, studies, model:article, and TEXT
- Subject:
- Touront, Johannes, činný 1450-1480, dějiny hudby, hudební skladatelé, polyfonie, renesanční hudba, středověká hudba, šansony, chansons, composers, history of music, medieval music, renaissance music, 78.01, 78.034.3/.6, and (048.8)
- Language:
- Czech
- Description:
- Upon closer study, the brief three-voice compositions by Johannes Tourout preserved in Bohemian sources of 15th-century polyphony with Latin texts turn out to be problematic. By analyzing the musical component of these compositions, the author of the study has determined that the works are contrafacta of chansons. At the same time, he has attempted to find the French texts for which Tourouts music may have been originally composed. Although the reconstruction is purely hypothetical, the results are an important argument in the current discussions of the musical culture of Central Europe in the latter half of the fifteenth century., Jaap van Benthem., Rubrika: Studie, and České resumé na s. 238, anglický abstrakt na s. 221.
- Rights:
- http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public
6. The Transmission of Hymn Tune Stäblein 752 in Europe during the Late Middle Ages
- Creator:
- Mráčková, Veronika
- Format:
- print, bez média, and svazek
- Type:
- article, studie, studies, model:article, and TEXT
- Subject:
- 14. století, duchovní hudba, duchovní písně, hymnologie, muzikologie, středověká hudba, středověké hymny, hymnology, medieval hymns, medieval music, musicology, sacred music, sacred songs, 78.01, 783.6, 78.03"04/14", 783, (048.8), and 783.6:781
- Language:
- Czech
- Description:
- Studie Veroniky M. Mráčkové se zabývá problematikou přejímání středověkých hymnických melodií, ilustrovanou na konkrétním zvoleném příkladu., The hymn, one of the most frequently encountered songs in Western European sources, poses many questions with regard to the conflict between common and local traits. The Office hymns on which I focus were transmitted mainly in fourteenth- and fifteenth-century sources, which contain huge collections of hymns for different liturgical occasions, including those in honour of local saints. We still do not have a reasonable explanation of how or why the same tunes were adapted for different texts (or vice versa). The ‘Franciscan’ hymn melody Stäblein 752 (originally devoted to St Francis), for example, which occurs with different hymn texts in Austria, Germany, Bohemia, Poland and Spain, has many melodic variants reflecting regional characteristics. Why was this particular melody transferred to and adopted in other parts of Europe, where there was certainly no shortage of alternative hymn melodies? Is it a question of the adoption of favourite melodies in the Middle Ages? Were the same tunes used for hymns in honour of both male and female saints? What are the implications for us when the same ‘local’ tune can be identified in polyphonic hymn settings?, Veronika M. Mráčková., Rubrika: Studie, and České resumé na s. 32, anglický abstrakt na s. 19.
- Rights:
- http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public