This article is based on long-term study of the relationship between time and space. It does not conceive space as a dimensionless, empty, and homogeneous container but draws instead on the concept of place as unique and meaningful. The conceptualisation of place is thus based on the classic works of the humanist geographers Yi-Fu Tuan and Edward Relph, who consider place to be integral, enclosed, and determinable. The issue of the determinability of integral and still meaningful place is examined using Michel Foucault’s concept of heterotopia. A certain place in a city is linked to a number of other places, which in a way then become present in that place. The place cannot be considered a homotopia but, on the contrary, is a heterotopia. Place can also be conceived from a temporal point of view. Various times (rhythms) blend in a place and they refer to processes that were taking place in other (even temporally very remote) times. Similarly, just as place can be spatially considered a heterotopia, temporally it may be considered a heterochronia. The term heterochronotopia is used to refer to a place that opens out both spatially to other places and temporally to other times. Empirically the article focuses on one selected place in the post-socialist and post-industrial city of Brno (Czech Republic). The article seeks to (1) identify links connecting the researched place to other sites and times and to (2) describe the selected place as a system of associations. The research combines a very wide range of methods such as direct observation, informal interviews, and analyses of historical documents, photos, public transport timetables, etc. The article thus offers an example of a dense description of a place as a temporally or spatially undeterminable entity, provides material for critical reflection on the assumption that urban place is enclosed and determinable, and introduces ‘heterochronotopia’ as a new concept referring to a spatially and temporally undetermined place in a contemporary city.
The paper questions the dominant representation of space (normative space) and its visuality in the case of spatial experience without sight. While the relationships between individuals and spaces are differentiated, normative space (re)produces the conception of one depersonalised and thus disembodied space and denies alternative conceptions of spaces. The aim of the paper is to present the process of independent experiencing of new spaces by visually impaired people. This experience is interpreted in the context of two theories: Lefebvre’s production of space and Butler’s theory of performativity. Our results are based on interviews with 16 visually impaired people and 2 people with knowledge about visual impairment from their profession. The interview partners learn two sets of spatial information: ‘information for communication with others’ and ‘information necessary for spatial mobility’. While the first set of information is required to become part of the visual world and reveal the performative (re)production of the visuality of space, the second set of information is connected to non-visual experience and thus makes it possible to look beyond the normative space, to see visuality as a norm, and to start to reflect on the political connotation of spatial conceptions.