Studie Evy Myslivcové se zabývá korespondencí mezi hudebním skladatelem Antonínem Dvořákem a jeho blízkým přítelem Aloisem Göblem., This article introduces newly found photocopies of two letters from Antonín Dvořák to Alois Göbl with heretofore unknown and unpublished contents (newly discovered facts about Dvořák’s life and about period reception of his masterpieces – e.g. the Symphony No. 9 in E Minor “From the New World”, op. 95, and the Cello Concerto in B Minor, op. 104) and places them within the context of Dvořák’s correspondence addressed to his friend Göbl in Sychrov that has already been published in several different editions., Eva Myslivcová., Rubrika: Studie, and Německé resumé na s. 299, anglický abstrakt na s. 289.
Correspondence was the “information superhighway” for s scholars and researchers during the early modern world. The Department of Comenius Studies of the Institute of Philosophy AS CR is one of the closest partners in a project based at the University of Oxford titled Cultures of Knowledge. Between 1550 and 1750, regular exchanges of letters encouraged the formation of virtual communities of people worldwide with shared interests in various kinds of knowledge. Included were classical scholars, philologists, antiquaries, patristic scholars, orientalists, theologians, astronomers, botanists, experimental natural philosophers, emissaries’, ‘free-thinkers,’ and many other denizens of the “Republic of Letters.” Since 2009, the Cultures of Knowledge project at Oxford University has been using a variety of research methods to reassemble and understand these networks. Supporting this effort is the Andrew W. Mellon Foundation. As well as co-organizing the inaugural series of workshops in Prague, Cracow and Budapest, and the 2010 Universal Reformation conference in Oxford, both Institutes have also been active throughout the project in preparing the Comenius catalogue for Early Modern Letters Online (EMLO). and Vladimír Urbánek.
Recenzentka shledává v obou publikacích kontrapozice, souvislosti a také inspiraci k zajímavým otázkám, jako je kontinuita a diskontinuita vědy v 19. a 20. století, reflexe proměny vědeckých paradigmat, strategie etablování nových vědeckých přístupů a úspěšné vědecké kariéry, postavení a emancipace ženy ve světě vědy. Přibližuje nedoceněnou osobnost filozofky Albíny Dratvové (1892–1969) a její vědecký deník a zamýšlí se nad osudem členů Pražského lingvistického kroužku a jejich předválečného vědeckého odkazu v poválečném Československu., In each of the two publications considered here the reviewer finds points in common as well as opposing views, and has been prompted to raise some interesting questions, for example, about the continuity and discontinuity of scholarship in the nineteenth and twentieth centuries, reflections on changes to academic paradigms, a strategy to establish new scholarly approaches and to achieve success in one’s academic career, and the status of women and women’s liberation in academia. The reviewer acquaints us with the underappreciated philosopher Albína Dratvová (1892–1969) and her academic diary, and considers the lives of members of the Prague Linguistic Circle and the legacy of their pre-war academic works in post-war Czechoslovakia., and [autor recenze] Doubravka Olšáková.
Studie Kateřiny Nové se zabývá vzájemnými vztahy mezi dirigentem Václavem Talichem a hudebním vědcem Otakarem Šourkem, které vykládá s pomocí dochované korespondence těchto osobností., The friendship between the music writer, critic, and organizer Otakar Šourek and the world-famous conductor Václav Talich lasted nearly 50 years. We can get an idea of the intensity of their friendship by studying their mutual correspondence. Šourek always deeply admired Talich, and he tried to support him with all of his might (although not unconditionally). Talich, on the other hand, respected Šourek, and he confided in him about his everyday cares and joys, but in their correspondence we also find deep reflections about the music of Antonín Dvořák or comments about current politics and social issues. Talich’s letters thus give us a glimpse beneath the surface of the daily life of one of the most prominent Czech conductors., Kateřina Nová., Rubrika: Studie, and Anglické resumé na s. 319, anglický abstrakt 301.
The music critic, writer, and organizer Otakar Šourek was bound to the world-famous conductor Václav Talich by a close friendship practically throughout their lifetimes. The study of their mutual correspondence provides valuable information about their experiences during the difficult years of the Nazi occupation and following the Communist putsch. Šourek was Talichs advisor and confidant, and even during the hardest years, he always expressed his support for Talich and gave him practical assistance. Talich greatly valued Šourek for his personal character and for the work he had done in the field of Dvořák scholarship. The article is a continuation of a study published in Hudební věda 49 (2012), No. 3, pp. 301-320., Kateřina Nová., Rubrika: Studie, and Anglické resumé na s. 143-144.
This study is dedicated to documenting the relationship between these two important musicians on the basis of excerpts from extant written sources. The most important documentation of contacts between Vaclav Jan Tomasek (1774-1850) and Carl Maria von Weber (1786-1826), who worked in Prague from 1813 until 1817 as Kapellmeister of the Estates Theatre, is Tomaseks autobiography published in Prague in 1845-1850 in a yearbook titled Libussa. We find additional brief documentation in Weber's diaries and in the correspondence of both men addressed to other persons. Tomasek's autobiography is also important documentation of how Weber's works were viewed by the German public and music critics., Obsahuje seznam literatury, and Anglické resumé na s. 82.