The article lays out Jonathan Israel’s central ideas on the European Enlightenment, as they have been developed in his Radical Enlightenment (2001), Enlightenment Contested (2006) and A Revolution of the Mind (2009). I explain his ‘controversialist method’ of intellectual history and point out the advantages and faults of this approach. Israel’s model of the heterogeneous Enlightenment is shown as a response to A. MacIntyre’s postmodern criticism, and to the older models of a ‘single Enlightenment’, as presented by P. Gay, or older models of multiple enlightenments, as presented by J. G. Pocock. However, Israel’s heterogeneous Enlightenment recognizes just one progenitor of the positive ‘modern values’, which is identified with the Radical wing. The article reviews Israel’ s narrative of the development and spread of the Radical Enlightenment in Europe and the struggles with the Enlightenment mainstream and within the Enlightenment mainstream. However, I also show some faults in Israel’s argument, mainly his view of the ‘secular morality’, which should have been the outcome of the Radical Enlightenment’s campaign. In conclusion, I point at the inconsistency of Israel’s reconstruction of the Enlightenment morals and the differences between his view and J. Schneewind’s interpretation., Ivo Cerman., and Obsahuje bibliografické odkazy
his study traces the changing portrayals of Maria Theresa in the writings of the most important Czech historians (F. M. Pelcl, W. W. Tomek, J. Kalousek, B. Rieger, J. Svátek, J. Pekař and J. Prokeš) up until the end of the First Republic. It also considers the works of popular chroniclers, the French historian E. Denis, and school textbooks. The author shows that from the end of the 18th century to the 1930s Czech historiography presented an image of Maria Theresa as an exceptionally capable ruler whose wide-ranging reforms brought considerable progress in many different spheres of life both in Bohemia and the monarchy as a whole. From the outset, however, there was also criticism of various aspects of her policies that were perceived as inimical to the Czech nation. First there was Germanization, especially in the education system; then, from the 1860s, the centralizing tendency of administrative reforms that threatened the (albeit limited) autonomy of the Czech state and opened the door to dualism. This criticism was especially abrasive in the works of J. Kalousek, B. Rieger and J. Svátek. Some even pointed to an actively hostile attitude on the part of the empress towards the Czech Lands. As the proliferation of factual evidence consolidated the positive image of the great monarch, critical assessments became more objective, though they never disappeared altogether. It is worth noting that, with few exceptions, the positive importance of absolutist enlightenment reforms for the emergence of the modern Czech nation-state was often overlooked., Eduard Maur., and Obsahuje bibliografické odkazy
The article looks at how emotion is represented in Bohemian folk chronicles, i.e. texts of a historiographic character, written by autodidacts - mostly peasants and artisans. At the core of our analysis is the most famous work of this kind, Paměti Františka Jana Vaváka z let 1770-1816 (Memoirs of František Jan Vavák 1770-1816). Other writings from the turn of the 19th century (e.g. those of Václav Jan Mašek, Jan Petr, Ondřej Lukavský) are also considered. Our initial question is: How, and in which contexts, did Czech-speaking authors of the late 18th and early 19th century, having no opportunity to get acquainted with contemporary philosophical theories, express affects? The study shows that the emotions, especially joy and grief, are expressed in a way recommended by early modern rhetoricians (e.g. Cypriano de Soarez or Bernard Lamy): particular figures are associated with particular affects. Though the principle is the same, the figures used by autodidacts differ from those recommended by the rhetoric manuals. Being unable to read Latin, German or French rhetorics, the authors had probably grasped the principles of how to represent affect from their reading, but adapted them according to their own talent and vision. As might be expected given the rural origin and values of the authors, joy is expressed mostly in the context of weather favourable for the harvest, while grief is realised in the context of rising prices and natural disasters., Dmitrij Timofejev., and Obsahuje bibliografické odkazy