Strahovská knihovna Královské kanonie premonstrátů Praha CZ AA XIV 9 adl. 6, Národní knihovna ČR Praha CZ 52 C 15 adl. 13, Metropolitní kapitula u sv. Víta v Praze Praha CZ X. b. 46 adl. 9, and BCBT37004
Studie Michaely Freemanové se zabývá působením pražské varhanické školy, která patřila k významným vzdělávacím institucím v čechách v 19. století., In the early decades of the 19th century, three important music institutions were founded in Prague – the Tonkünstler Wittwen-und-Waisen Societät, the Conservatoire and the Organists College, opened in 1830 by the Verein der Kunstfreunde für Kirchenmusik in Böhmen (the Society for Sacred Music in Bohemia, founded in 1826). The aim of the Society was to awaken an interest among the wider public in sacred music which, at that time, was neglected and in decline. The Organists College offered tuition to members of the Christian churches as well as to Jewish communities. During the one-year course, later extended to two, and subsequently to three years, the organists, and later also choirmasters, acquired a knowledge of harmony, counterpoint, figured bass, improvisation and composition, and also learnt how to perform sacred music. The school was attended by numerous outstanding musicians, from home and abroad, among them Antonín Dvořák and Leoš Janáček; in 1890, it merged with the Prague Conservatoire., Michaela Freenamová., Rubrika: Studie, and České resumé na s. 392, anglický abstrakt na s. 369.
Despite the state borders, and the different socioeconomical and cultural contexts, productions of Italian opera in Prague and Dresden become considerably interconnected due the activity of the impresario Giuseppe Bustelli. During his directorship (1764-1777 in Prague, 1765-1777 in Dresden) and even in the next decade, more than 50% of the repertoire was shared. Furthermore, some of the artists performed in both cities, and the same or similar adaptations of operas were used. The main difference in repertoire consisted in opera seria productions in Prague until 1777, whereas in Dresden only opera buffa was staged since 1765. Analyses of selected works reveal some of both similar and different performing strategies and their aesthetical, practical as well as political connections., Marc Niubo., and Obsahuje bibliografické odkazy
Studie se zabývá pražskou verzí oratoria Leonarda Lea, do něhož pravděpodobně byla vložena dvě moteta jako árie, jejichž autorem byl Jan Dismas Zelenka., Michaela Freemanová - Janice B. Stockigt., Rubrika: Studie, and České resumé na s. 160, anglický abstrakt na s. 149
The aims of the article are to present the development and the degree of representation of individual languages in the Prague printed production of the 16th century and to confirm, or revise, the existing knowledge. The study is also an example of the possible use of the newly created virtual research tool formed within the Knihoveda.cz project. The search interface that is being prepared and is going to be presented to the public in 2020 i.a. provides access to the hitherto separate bibliographical databases Knihopis and Bibliografie cizojazyčných bohemikálních tisků 1501-1800 [Bibliography of Foreign-Language Printed Bohemica 1501-1800]. This will significantly facilitate research into the development of the printed production in the Czech lands in its entirety regardless of language division., Vojtěch Šícha., Obsahuje anglické resumé, and Obsahuje bibliografické odkazy