Search

Start Over Language Czech Subject 8 Subject Česko Harvested from CDK Date Unknown

103. Tříkrálová deklarace - krok na cestě k samostatnosti

Creator:
Martin Kučera
Format:
print, bez média, and svazek
Type:
article, články, model:article, and TEXT
Subject:
Historická věda. Pomocné vědy historické. Archivnictví, Obecní dům (Praha, Česko), 1918, politické dějiny, právo na sebeurčení, politická opozice, political history, right of self-determination, political opposition, Česko, Czechia, Tříkrálová deklarace, 8, and 930
Language:
Czech
Description:
ASCR recalls the ninetieth anniversary of the signing of Three Kings Declaration which paved way for Czechoslovak independence. For the first time this declaration formulated the proposal for an independent Czech state, united with Slovakia, but with no mention of Habsburg Dynasty. and Martin Kučera.
Rights:
http://creativecommons.org/publicdomain/mark/1.0/ and policy:public

104. Václav Havel v živlu absurdity, antinomií a nesmyslu

Creator:
Miloš Havelka
Type:
model:article and TEXT
Subject:
Havel, Václav, 1936-2011, 20.-21. století, prezidenti, čeští dramatici, disidenti, presidents, Czech dramatists, dissenters, Česko, Czechia, 8, and 93/94
Language:
Czech
Description:
Autor se zastavuje u archetypálního půdorysu „komedie“, který si Jiří Suk vypůjčil od literárního teoretika Northropa Fryeho jako výkladový rámec své knihy, a zamýšlí se nad tím, nakolik se dá použít i pro porozumění Havlovým dramatizací absurdity a absurdní povahy politiky. Podle jeho soudu je lépe vystihuje žánr grotesky, spočívající na napětí mezi nesmiřitelnými protiklady a paradoxy. Právě jejich existenci a působení v životě a činnosti Václava Havla ve sledovaném období dokázal Jíří Suk velice plasticky ukázat. Z jeho knihy lze usuzovat, že Havel nevěřil na historický happy end, dějiny pro něj byly naopak otevřeným, neukončeným a nenaplánovatelným děním. Tento způsob intelektuálního vztahování ke světu zůstal podle autora Havlovi vlastní i v prezidentské roli po změně režimu v listopadu 1989. Sloužil mu k distanci od stávající reality i k ironické distanci od sebe sama a tematizován byl například v antinomiích morálky a politiky nebo občanské společnosti a stranické demokracie. Patří k přednostem Sukovy práce, jak účelně významově strukturuje bohatý pramenný materiál s použitím vlastních metahistorických pojmů i převzatých metafor typu „obnovení pořádku“ nebo „šedá zóna“. Suk ukazuje Havla přesvědčivě jako centrální osobnost Charty 77 a politického převratu, jeho výklady jsou vysoce poučené a představují dosud nejhlubší vhled do dané problematiky., The author focuses on the archetypal plan of ‘comedy’ which Jiří Suk has borrowed from the literary theorist Northrop Frye as the interpretational framework for his book about Václav Havel. Moreover, the author questions the extent to which it can properly be used to understand Havel’s dramatizations of absurdity and the absurd nature of politics. In the author’s judgement, these would have been better classified under the genre of the grotesque, which consists in the tension between irreconcilable opposites and paradoxes. It is their existence and operation in Havel’s life and work in the period covered by the book, which Suk has so vividly demonstrated. From this book, one can reasonably conclude that Havel did not believe in a historical happy ending; indeed, history for him comprised open-ended and unplanned events. This way of intellectually relating to the world remained, according to the author, true of Havel also in his role as President after the Changes beginning in November 1989. It helped him to maintain his distance from reality at that time, and also to maintain ironic distance from himself; it is thematized, for example, in the antinomies of morals and politics or civil society and the multi-party system. Among the strong points of Suk’s work is how he has structured the wide range of primary sources according to their meaning and for his own purposes, by using his own meta-historical terms and also adopting metaphors such as the ‘restoration of order’ or the ‘grey zone’. Suk persuasively shows Havel as the central figure of Charter 77 and the Changes. His interpretations are well informed, and constitute the deepest probe into the topic so far., [autor recenze] Miloš Havelka., Obsahuje bibliografii, and Tři hlasy k jedné knize
Rights:
http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public

105. Václava Kofránková, Zlatý král a chudý hrabě. Přemysl Otakar II. a Rudolf Habsburský v historické tradici

Creator:
Robert Antonín
Format:
print, bez média, and svazek
Type:
model:article and TEXT
Subject:
II., český král a markrabě moravský, Přemysl Otakar, asi 1233-1278, 13. století, panovníci, historické vědomí, kings and rulers, historical consciousness, Česko, Rakousko, Czechia, Austria, 8, and 930
Language:
Czech
Description:
[autor recenze] Robert Antonín.
Rights:
http://creativecommons.org/publicdomain/mark/1.0/ and policy:public

106. Vie de Charles IV de Luxembourg, edd. Pierre Monnet - Jean-Claude Schmitt

Creator:
Václav Žůrek
Format:
print
Type:
model:article and TEXT
Subject:
IV., český král a římský císař, Karel, 1316-1378, 14. století, dějiny, panovníci, biografie, překlady do francouzštiny, history, kings and rulers, biography, translations into French, Svatá říše římská, Česko, Czechia, 8, and 93/94
Language:
Czech
Description:
[autor recenze] Václav Žůrek.
Rights:
http://creativecommons.org/publicdomain/mark/1.0/ and policy:public

107. Vliv Ondřeje Ungnada ze Suneku na rozvoj české knižní kultury

Creator:
Jan Pišna
Format:
print, text, and regular print
Type:
article, články, journal articles, model:article, and TEXT
Subject:
Dějiny civilizace. Kulturní dějiny, Ungnad ze Suneku, Ondřej, 1499-1557, 16. století, reformace, dějiny knižní kultury, dedikace, vydávání a distribuce knih, překlady, intelektuálové, humanismus (literatura), reformation, history of books and reading, dedications, publishing and bookselling, translations, humanism (literature), Česko, 8, and 930.85
Language:
Czech
Description:
Jan Pišna.
Rights:
http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public

108. Výuka inženýrských věd na stavovských akademiích v Praze, Vídni a Olomouc v 18. století

Creator:
Konečný, Michal
Format:
print, bez média, and svazek
Type:
model:article and TEXT
Subject:
18. století, stát, vzdělávání, State, The, education, Česko, Rakousko, Czechia, Austria, stavovská akademie, civilní architektura, stavební úřad, inženýrské vědy, elite academy, civil architecture, public works office, engineering, 8, and 94(437)
Language:
Czech and English
Description:
A major reform in the reign of Joseph II was the establishment in 1786 of the provincial building directorates, through which the court aimed to regulate all public building works in the monarchy. Although the original aim of unifying building regulations throughout the realm was never achieved, the reform was a success and remained in force, with a few minor amendments, until the revolutionary year of 1848. One reason for its success was the elite corps of civil engineers who staffed these institutions. This study looks at advances in technical education, especially engineering, in the Habsburg monarchy from the beginning of the 18th century and the emergence of the Collegia Nobilia, or elite colleges, where graduates were prepared for a career in the Imperial Army. Besides military architecture, the colleges also taught the fundamentals of civil engineering, turning out some of the best‐trained creators of early modern architecture. The development and nature of this elite engineering training is examined with reference to the engineering academies of Prague, Vienna and Olomouc. In all three cases we stress the colleges’ status within the state framework, and their evolution in the light of changing official doctrine and methods of instruction. In all three cases it is clear that during the latter half of the 18th century the original ‘aristocratic’ colleges began to decline and were slowly replaced by similar state‐controlled establishments. As a first step, the court of Joseph II introduced a specialized course in practical architecture at the Vienna Academy of Fine Arts. From around 1800 this model was gradually superseded by the progressive French‐style polytechnic, a modified version of which remains the standard model for technical education to this day., Michal Konečný., and Obsahuje bibliografické odkazy
Rights:
http://creativecommons.org/publicdomain/mark/1.0/ and policy:public

109. Žánry a témata v produkci českých tiskáren 16. století: nové možnosti zkoumání

Creator:
Andrea Jelínková
Format:
print, bez média, and svazek
Type:
model:article and TEXT
Subject:
16. století, česká literatura, Czech literature, Česko, Czechia, Knihověda.cz, genres, themes, 16th century, national retrospective bibliography, Knihopis of Czech and Slovak Early Printed Books, Bibliography of Foreign-Language Printed Bohemica 1501-1800, 8, and 930
Language:
Czech
Description:
The article draws attention to the new possibilities of the research into the genre and thematic composition of Czech printed production of the 16th century, which are going to be offered by the Knihověda.cz portal in future. This portal virtually merges two databases of the national retrospective bibliography - Knihopis and Bibliografie cizojazyčných bohemikálních tisků 1501-1800 [The Bibliography of Foreign-Language Printed Bohemica 1501-1800]. It examines the genre composition of both Czech- and foreign-language printed production of the 16th century, which comprises a total of more than 4,000 units, and monitors the gradual development of the genres established in previous periods and the occurrence of entirely new genres. The aim of the paper is not a detailed analysis of the selected period but rather a basic overview of the genres and an indication of new research possibilities., Andrea Jelínková., Obsahuje anglické resumé a dvě textové přílohy, and Obsahuje bibliografické odkazy
Rights:
http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public