The study presents an empirical analysis of the risky practice of illegal marriage and baptism among Huguenots in 18th century France, drawing on contemporary pamphlets to trace the problematic evolution of French Calvinist inheritance law - a process that played a decisive part in efforts to relegalize Calvinism in the kingdom. Agitators for the reformed church pursued two main lines of argument: Calvinist pastors, both within the country and in exile, made increasingly active use of Enlightenment philosophical discourse that condemned religious intolerance. At the same time, especially from the 1760s on, pamphleteers emphasized the social and economic importance of the Huguenot upper class. Together, these arguments helped overcome received ideas about the risk of an anti‐state "protestant conspiracy" organized by the exile community ("conjuration de l’étranger Huguenot"), which was in turn linked to the financial power of the Huguenot banking families that had been a leitmotif of criticism since the 16th century. Instead, a positive image of the Calvinists’ social contribution was presented, stressing their usefulness and loyalty to state and sovereign. Among their supporters at court were the lawyers and ministers de Breuil and de Malesherbes, who eventually succeeded in pushing through reforms., Eva Hajdinová., and Obsahuje bibliografické odkazy
Theatrical activities of Václav Mihule (1758 - after 1808) are documented at his various positions in 19 European cities. Born in Prague Mihule left his home at a young age. His earliest experience was as an actor (1781-89), traveling to distant places such as Warszawa (1781), St. Peterburg (1784-86), Königsberg (1787-88), Mainz and Frankfurt a. M. (1788-89). His first Prague ensemble (1789) was a collaboration with Jean Butteau, the company played at ThunPalace Theatre at the Lesser Town of Prague. Later he directed the ensemble Vlastenské divadlo (Patriotic Theatre) in the Theatre U Hybernů (in summer in Karlovy Vary) and the German company at the Nostitz Theatre. After his abrupt departure from Prague in mid 1793 he became a theatre director in Augsburg (1793-94), in Nürnberg, Ansbach, Erlangen, Ulm and Nördlingen (1794-97), Stuttgart (1797), Wiener Neustadt (1797/98), Olomouc (1800-02), Opava (1802-04), Prešov (1805) a Košice (1804-08). He seems to have ended his career in Košice, where he may have died. In the time from 21. 12. 1796 till 13. 9. 1797 he led on lease the Court Theatre Company of Friedrich Eugen II. of Württemberg in Stuttgart. It was in Stuttgart for the first time, when the Court Theatre was rented to a theatre entrepreneur. The Duke tryed in this way to keep the theatre running in the bad economic situation in the course of the War of the First Coalition (1792-1797). For the director Mihule was the offered contract for 6 years - after experience with various theaters in the cities - an extraordinary occasion to achieve a firmly established place of work with above standard conditions. It is possible to describe and characterize the Stuttgart period of the entrepreneur Mihule on the basis of archive documents and account books (aspect of organization) and periodicals (theatre repertory). Some features of the abilities of actors an, Alena Jakubcová., and Obsahuje bibliografické odkazy
This study examines changes in narrative approaches in Czech, Moravian and (German-written) Silesian belles lettres from 1770-1790. In its examination of historical poetics and changes in narrative methods, it draws on the structuralist studies of Lubomír Doležal (his "narrative text transformation" model) and Daniela Hodrová (fictive novel vs. reality novel). Instead of the idea that prose evolves in relation to a fixed "linguistic substrate" in an immanent, autonomous way, the author inclines to the notion of a plurality of poetic codes on various linguistic levels (from stylistic registers, "narrative methods" and narrative structures to individual genres and the comprehensive aesthetic that shapes entire epochs). The study starts with an outline the socio-historical background to the emergence of literary periodicals in the Czech Lands in the early 1770s and their authors’ publishing strategies. It then considers the transformational impact these periodicals had on the literary prose of the day. The third part examines how the belles lettres of literary periodicals reacted to impulses from Enlightenment poetics such as the sentimentalism of Laurence Sterne and the Sturm und Drang movement, with illustrative interpretations of the novellas Der Philosoph in der Suppe (The Philosopher in the Soup) by Johann Ferdinand Opitz, Die neue Sapfo (The New Sappho) by Christian Heinrich Spiess and Der sonderbare Kupler (The Peculiar Pimp) by Josef Herbst and Josef Kirpal., Václav Smyčka., and Obsahuje bibliografické odkazy
The paper examines origin and professional background of the scribes of the 18th century Bohemian manuscripts and follows the changes in the social structure of their readers, using the information from several hundred handwritten books and documents. Received data show that the number of scribes is rising immensely in the last decades of the 18th century. The most distinct growth might be observed within the number of scribes working in the rural areas. In the first half of the 18th century the most productive group of scribes are monks. In the last quarter of the century this role goes to teachers and parish priests. Their production, however, often has commercial or official character. Besides in the late period of the century strongly increases representation of craftsmen and farmers among the scribes. Also growth of the number of readers living in the countryside, especially women, might be observed. These changes seem to be the results of educational, administrative and Church reforms performed by Maria Theresa and Joseph II in the late 18th century., Dmitrij Timofejev., and Obsahuje bibliografické odkazy