The essential point for seismological observation in the northern part of Moravia, Czech Republic, is a permanent seismic station Ostrava - Krásné Pole (OKC) that is a part of the Czech regional seismological network (hereafter CRSN). Institute o f Geonics AS CR, v.v.i., has also operated temporary seismic stations in this region since 1997. Current seismological stations are located in an abandoned mine working located in Zlaté Hory and in cellars in Klokočov and castle Raduň near Opava. The natural seismicity is after the swarm of microearthquakes in the vicinity of Opava in 1993 very low now. In region under discussion, seismic manifestations generated by mining induced seismicity in Upper Silesian Coal Basin (both Karviná an d Polish parts) and in Legnica-Głogów Copper District (LGOM) are also detected. Significant part of observations in this region is made by the Institute of Physics of the Earth (hereafter IPE), Masaryk University Brno, and about 1000 microearthquakes have been detected during the last ten years with maximum local magnitude up to 1.9., Zdeněk Kaláb, Jaromír Knejzlík and Karel Holub., and Obsahuje bibliografické odkazy
In the contribution geological structure and geophysical data along the northern part of the Diendorf-Čebín tectonic zone (DCTZ) is analyzed in relation to the position of the measured GPS test areas and precise levelling profiles. For this purposes the former geophysical data have been reambulated and analyzed, too. Revision of geological knowledge and sources has been done in places of the proposed polygons. The results of reinterpretation of the Grav/Mag data and selected seismic reflection profiles suggest new possibilities and variety of structural interpretations of this tectonic zone. It is evident that the whole tectonic system has undergone complicated tectonic development during the Paleogene and Neogene. Therefore the recent mapping and analyses by GPS and precise levelling have to be realized in places where the geological structural ambiguity has to be eliminated., Lubomil Pospíšil, Otakar Švábenský, Josef Weigel and Michal Witiska., and Obsahuje bibliografii
The second half of the 18th century marked an extraordinary flowering of music, especially church music in the Czech lands. Monastic churches, in particular, were characterised by a high level of music production performed by choral scholars whose liturgical music was conducted by chosen monks. Some members of religious orders also composed. These were for example M. J. Haberhauer (1746-1799), a member of the Benedictine order situated in Rajhrad near Brno and P. J. Marek (1748-1806) who belonged to the Augustinian monastery in Brno. Both of them got a musical education as choral scholars and remained musically active also after entering orders. Eventually these two authors both performed as chorregents in the 70’s and early 80’s of the 18th century and they collected sacred and secular pieces of music of their more famous and popular contemporaries (C. Ditters, F. X. Brixi, Haydn, etc.). Apart from a few exceptions they were only composing liturgical works. Haberhauer bequeathed 90 compositions, most of whom composed of Mass for choir and solo accompanied with instrumental ensemble as well as vespers and motets. Marek, however, composed only 21 church compositions and most of them consist of Marian antiphons and litanies of Loreto. These were necessary at the Augustinians, given the honor rendered to the picture of Virgin Mary placed in their church. The two monasteries ran a mutual cooperation which can be proved by Haberhauer music collection preserved at Augustinians in Brno. Haberhauer work can be also found in the collections of other Moravian churches and also at Prague Benedictine order. While Marek’s compositions were exclusively connected to the Augustinian monastery in Brno. Their pieces of music are purely purposeful showing features of a musical classicism. Lives and works of both composers are now the subject of research of the author and of Pavel Žůrek from the Ins, Irena Veselá., and Obsahuje bibliografické odkazy
Under Maria Theresa, the provincial courts in Moravia continued to operate along the lines set out in the judicial reforms of 1620-1650. Although the reform efforts of the Theresian system had little direct effect on them, the character of these courts did gradually change. By the early 1740s they were inundated with a backlog of unresolved cases that rendered them slow and unwieldy. Following the cancellation of inactive disputes, however, the number of open cases started to drop rapidly, and by the 1760s the provincial court was accepting an absolute minimum of new lawsuits. This was due less to any restrictions imposed by the state than to a lack of interest among the nobility in pursuing claims in the court. The provincial court continued to sit twice a year, but the reduction in the number of cases meant that the number of sessions in each judicial period also fell considerably. The nearly fifty cases heard by the provincial court in the reign of Maria Theresa were, however, similar in scope to those we are familiar with from the preceding period - property-related lawsuits among the nobility, disputes between monasteries and towns, criminal cases and claims by subject communities against their own landlords. Significant changes can also be discerned in the makeup of the courts, with judges being appointed on the basis of their legal training rather than their social standing or other "merits" and, generally, a far closer correspondence to other types of Theresian court, particularly the royal tribunal. There thus ceased to be a meaningful distinction between the royal and provincial judicial systems in the Theresian period., Jiří David., and Obsahuje bibliografické odkazy
The Moravia territory has been the subject of geokinematic investigation within scope of several realized research projects and repeated GPS campaigns since 1992. The monitoring has been concentrated on all the Moravia region as well as on particular areas of interest concerning the eventual possible geodynamic changes (Králický Sněžník Massif, Diendorf-Čebín Tectonic Zone (DCTZ) and others). At present time all the territory is covered by several tenths of permanent and epoch GNSS stations. Long observation time series at permanent stations alone are not sufficient for delivering the regional velocity field of sufficient density. On the other hand, epoch stations are more densely spread but periods of repeated observations are less frequent and often the data processing is not homogeneous. In the paper the preliminary kinematic model is briefly described which gives for the first time the general view of movement tendencies at the region of Moravia. On base of long-term monitoring it shows that the Southern Moravia region is more active then it was supposed., Lubomil Pospíšil, Otakar Švábenský and Josef Weigel., and Obsahuje bibliografii
This paper considers forms of cultural transfer in decorative design in Central Europe in the second half of the 18th century, focussing on works that combine aspects of both free creative art and artisan craftsmanship. Based on a detailed analysis of a number of works (or parts thereof), the authors show that trends in decoration that had hitherto been broadly interpreted as a somewhat uninventive adoption of fashionable French graphic pattern-books and picture albums in the "goût grec" style (Jean-François de Neufforge, Jean-Charles Delafosse et al.) in fact represented an innovative quest for an original modern synthesis taking its inspiration from classical Roman art (Giovanni Battista Piranesi, Giocondo Albertolli, Carlo Antonini) and developing ideas emerging from the recently introduced teaching of artistic design at the Vienna Academy and from circles close to the imperial court (Johann Baptist Hagenauer, Ignaz Josef Würth et al.). The whole phenomenon in considered within the wider context of official cultural policy at the time of Maria Teresa’s and Joseph II’s economic and administrative reforms and is interpreted as one of a number of processes and strategies which, for various reasons, led to a reduction in transcultural transfer. Decorative design in Central Europe in the latter half of the 18th century thus paid more than lip-service to the ideal of universal culture in the sense of transculturality, interpreting it in a specifically local, middle-European and to some extent "nationalized" way - and, from a historical perspective, with extraordinary success., Pavel Suchánek a Tomáš Valeš., and Obsahuje bibliografické odkazy
This paper presents a detailed analysis of the development of the postal network in the territory of Moravia during the period of its most significant expansion, based on hitherto largely unused archival material, chiefly from the Postal Museum in Prague and the Moravian Archive in Brno. Using these key sources, chronological lists were reconstructed of postmasters in each post office, allowing us to determine the exact period in which each official served. This data on periods of service made it possible to compile a list of the postal routes set up by individual offices in the period under consideration and trace changes that occurred due to military conflict or for logistical reasons. Attention was also given to the hitherto neglected network of letter collection points in Moravia, which grew rapidly towards the end of the 18th century. The study represents a paradigm shift in research into the Moravian postal network. Besides already known postal routes, we also reconstructed routes whose existence had only been deduced from the records of one or two stations, and others that had escaped the attention of researchers altogether. With regard to letter collection points, the study considers the issue of which "mother" stations they were attached to. More generally, the study deepens our knowledge of the structure of the communications network in Moravia in the second half of the 18th century and provides a more precise picture of how it was connected with centres beyond the country’s borders. These results will provide potential future researchers into the Moravian postal service with a solid factual platform in which to anchor and contextualize their findings on specific post offices, stations or entire routes. The study can thus be seen as a contribution to economic and social history, as well as to that of communications., Vojtěch Klíma., and Obsahuje bibliografické odkazy
The article considers the writings of the sculptor Andreas Schweigl (1735-1812) and the painters Ignaz Chambrez (1758-1842) and Josef Heřman Agapit Gallaš (1756-1840). Around the year 1800, these three Moravian artists recorded their thoughts and insights in a number of texts that variously combined the traditional literary genre of artist’s biography with artistic topography, art criticism and a historical interpretation of early Moravian art and culture. Since all three were in some way connected with the new system of art education, the aim of this study is to examine whether and in what way standardized education affected not only their professional careers, but also their thinking. For all three, that thinking was rooted in a historical interpretation of the early art and culture of Moravia. All three discuss the function of art, artistic ideals, and to some extent the concept of the creative genius, as well as reflecting, directly or indirectly, on the theme of decadence as one stage in the cyclical view of history, in line with the paradigm of the age. The author sets out to compare their texts and in general terms show 1) how artists themselves viewed the importance of art education at the end of the 18 century; 2) how they responded to the changing role of the artist in society; and 3) how they defined artistic ideals and the artist’s social purpose. It is the wider implications of these changes in the artist’s social status, and in the function of art in Moravia and Central Europe generally, that form the primary focus of this study., Pavel Suchánek., and Obsahuje bibliografické odkazy