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2. 80 let od založení Vídeňského kroužku
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- Type:
- model:article and TEXT
- Subject:
- Wiener Kreis (spolek), vědci, scientists, Vídeň (Rakousko), Vienna (Austria), 6, and 53
- Language:
- Czech
- Rights:
- http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public
3. Giulio Cesare in Egitto am Wiener Kärntnertortheater im Jahre 1731: Ein Beitag zur Rezeption der Werke von G. F. Händel in der Habsburgermonarchie in der 1. Hälfte des 18. Jahrhunderts
- Creator:
- Jana Perutková
- Format:
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- Type:
- article, studie, studies, model:article, and TEXT
- Subject:
- Händel, Georg Friedrich, 1685-1759, 1701-1750, dějiny hudby, dějiny opery, hudební skladatelé, muzikologie, recepce hudby, composers, history of music, musicology, reception of music, Vídeň (Rakousko), Vienna (Austria), 78.01, 78.071.1, 78(091), 782(091), 78.073, and (048.8)
- Language:
- Czech
- Description:
- Studie Jany Perutkové se zabývá provedením opery "Giulio Cesare in Egitto" od hudebního skladatele Georga Friedricha Händela v divadle U Korutanské brány v císařském hlavním městě Vídni a též širší recepci Händelovy hudby v habsburském soustátí v uvedeném časovém období., The goal of the study is to present certain Händel sources that are unknown or have not yet been researched and to investigate the connection of those sources with the capital city of the Habsburg Monarchy, Vienna. At the center of attention is a performance of a pasticcio of Giulio Cesare in Egitto at the Theater am Kärntnertor in Vienna (Kärntnertortheater) in 1731. The study introduces the printed libretto, which has heretofore been regarded as lost, as well as the score of the work that L. Bennett first brought to light. The rediscovery of the libretto has made possible the comparison of these two sources. Also brought to attention is a copy of a collection of arias from this pasticcio that is held in Bratislava. There is furthermore presentation of certain possibilities regarding the identity of the probable compiler of the pasticcio, the composer Francesco Rinaldi, whose three extant operas premiered in Vienna date from the years 1730–1732. Reference is made in the study to the increased interest in Händel’s works in Vienna around the year 1730, and in connection therewith, reference is also made to a Viennese copy of his opera Admeto, which is kept in Meiningen. The study also asserts that at least one of the scores of Händel’s Agrippina held in the Musiksammlung der Österreichischen Nationalbibliothek had been the property of Count Johann Adam von Questenberg., Jana Perutková., Rubrika: Studie, and České resumé na s. 121, anglický abstarkt na s. 95.
- Rights:
- http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public
4. Internationales Accentus Musicalis-Symposium zum Thema: Zur Geschichte und Aufführungspraxis der Musik vom16. bis 18. Jahrhundert in der Region Mittel- und Osteuropas
- Creator:
- Jiří Sehnal
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- Type:
- article, články, journal articles, model:article, and TEXT
- Subject:
- 2011-2020, dějiny hudby, hudební interpretace, hudební konference, muzikologie, conferences on music, history of music, musical interpretation, musicology, Vídeň (Rakousko), Vienna (Austria), 78.01, 78:005.745, 78(091), 781.68, and (046)
- Language:
- Czech
- Description:
- Příspěvek Jiřího Sehnala je zprávou o mezinárodní muzikologické konferenci, která se uskutečnila ve Vídni ve dnech 16. až 18. dubna 2012, Jiří Sehnal., Rubrika: Konference, and Cizojazyčné resumé není.
- Rights:
- http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public
5. Ke sporům o Viklefa a jeho 45 článků (I): Oxfordské testimonium a Štěpán z Dolan
- Creator:
- Dušan Coufal
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- Type:
- model:article and TEXT
- Subject:
- z Dolan, Štěpán, asi 1350-1421, Wycliffe, John, 1328-1384, Puchhauser, Berthold, medievalistika, medievalistics, Morava (Česko), Vídeň (Rakousko), Moravia (Czechia), Vienna (Austria), religious controversy, The Carthusian Order, 8, and 930
- Language:
- Czech
- Description:
- This study is the first part of a planned series of articles on the issue of disputations about Wyclif in connection with his 45 articles. It analyses the anonymous undated refutation of Oxford University’s testimonial on the blameless life and work of John Wyclif, and makes it accessible in a critical edition in the form of an appendix. By taking into consideration manuscript preservation, argumentation, and literary arrangement as well as chronology, the author proves for the first time the immediate relation of the refutation to the Carthusian cloister of Údolí Josafat (Valley of Josephat) in Dolany near Olomouc and its prior Štěpán of Dolany. A component of the study is an excursion into the issue of Archbishop Zbyněk’s synodal directive to surrender books by Wyclif. and Dušan Coufal.
- Rights:
- http://creativecommons.org/publicdomain/mark/1.0/ and policy:public
6. Neoklasicistní dekorativní umění ve střední Evropě v éře Marie Terezie a Josefa II: transkulturalita, nebo kulturní reprodukce?
- Creator:
- Suchánek, Pavel and Valeš, Tomáš
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- Type:
- model:article and TEXT
- Subject:
- Winterhalder, Josef, 1743-1807, Schweigl, Andreas, dekorativní umění, design, neoklasicismus (umění), neoclassicism (art), decorative arts, Morava (Česko), Vídeň (Rakousko), Moravia (Czechia), Vienna (Austria), umělecká akademie, art academy, 8, and 94(437)
- Language:
- Czech and English
- Description:
- This paper considers forms of cultural transfer in decorative design in Central Europe in the second half of the 18th century, focussing on works that combine aspects of both free creative art and artisan craftsmanship. Based on a detailed analysis of a number of works (or parts thereof), the authors show that trends in decoration that had hitherto been broadly interpreted as a somewhat uninventive adoption of fashionable French graphic pattern-books and picture albums in the "goût grec" style (Jean-François de Neufforge, Jean-Charles Delafosse et al.) in fact represented an innovative quest for an original modern synthesis taking its inspiration from classical Roman art (Giovanni Battista Piranesi, Giocondo Albertolli, Carlo Antonini) and developing ideas emerging from the recently introduced teaching of artistic design at the Vienna Academy and from circles close to the imperial court (Johann Baptist Hagenauer, Ignaz Josef Würth et al.). The whole phenomenon in considered within the wider context of official cultural policy at the time of Maria Teresa’s and Joseph II’s economic and administrative reforms and is interpreted as one of a number of processes and strategies which, for various reasons, led to a reduction in transcultural transfer. Decorative design in Central Europe in the latter half of the 18th century thus paid more than lip-service to the ideal of universal culture in the sense of transculturality, interpreting it in a specifically local, middle-European and to some extent "nationalized" way - and, from a historical perspective, with extraordinary success., Pavel Suchánek a Tomáš Valeš., and Obsahuje bibliografické odkazy
- Rights:
- http://creativecommons.org/publicdomain/mark/1.0/ and policy:public
7. Oskar Pausch: Die Pokornys. Ein Beitrag zur mitteleuropäischen Theatergeschichte des 19. Jahrhunderta. Mit einem Katalog des Nachlasses im Österreichischen Theatermuseum
- Creator:
- Vlasta Reittererová
- Format:
- print, bez média, and svazek
- Type:
- article, recenze, recensions, model:article, and TEXT
- Subject:
- Pausch, Oskar, 1937-2013, Pokorný, František Xaver, 1797-1850, Pokorný, Alois, 1825-1883, 19. století, divadelní věda, dějiny divadla, dějiny hudby, hudebníci, muzikologie, history of music, history of theater, musicians, musicology, theatrology, Vídeň (Rakousko), Vienna (Austria), 78.01, 792.01/.09, 792(091), 78.071.1/.2, 78(091), and (0:82-95)
- Language:
- Czech
- Description:
- Vlasta Reittererová., Rubrika: Recenze, and Cizojazyčné resumé není.
- Rights:
- http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public
8. Umělecké vzdělávání a idea umělce na přelomu 18. a 19. století v díle Ondřeje Schweigla, Ignáce Chambreze a Josefa Heřmana Agapita Gallaše
- Creator:
- Suchánek, Pavel
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- Type:
- model:article and TEXT
- Subject:
- Gallaš, Josef Heřman Agapit, 1756-1840, Chambrez, Ignác, 1758-1842, Schweigl, Andreas, umělecké vzdělávání, akademie věd a umění, art education, academies of science, Vídeň (Rakousko), Morava (Česko), Vienna (Austria), Moravia (Czechia), statut umělce, invence / génius, artist's status, inventiveness / genius, 8, and 94(437)
- Language:
- Czech and English
- Description:
- The article considers the writings of the sculptor Andreas Schweigl (1735-1812) and the painters Ignaz Chambrez (1758-1842) and Josef Heřman Agapit Gallaš (1756-1840). Around the year 1800, these three Moravian artists recorded their thoughts and insights in a number of texts that variously combined the traditional literary genre of artist’s biography with artistic topography, art criticism and a historical interpretation of early Moravian art and culture. Since all three were in some way connected with the new system of art education, the aim of this study is to examine whether and in what way standardized education affected not only their professional careers, but also their thinking. For all three, that thinking was rooted in a historical interpretation of the early art and culture of Moravia. All three discuss the function of art, artistic ideals, and to some extent the concept of the creative genius, as well as reflecting, directly or indirectly, on the theme of decadence as one stage in the cyclical view of history, in line with the paradigm of the age. The author sets out to compare their texts and in general terms show 1) how artists themselves viewed the importance of art education at the end of the 18 century; 2) how they responded to the changing role of the artist in society; and 3) how they defined artistic ideals and the artist’s social purpose. It is the wider implications of these changes in the artist’s social status, and in the function of art in Moravia and Central Europe generally, that form the primary focus of this study., Pavel Suchánek., and Obsahuje bibliografické odkazy
- Rights:
- http://creativecommons.org/publicdomain/mark/1.0/ and policy:public
9. Vídní po Hlávkových stopách
- Creator:
- Josef Pechar and Marina Hužvárová
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- article, články, model:article, and TEXT
- Subject:
- Biografie, Hlávka, Josef, 1831-1908, věda a umění, architektura, mecenášství, science and art, architecture, patronage, Vídeň (Rakousko), Vienna (Austria), 8, and 929
- Language:
- Czech
- Description:
- In Vienna, Josef Hlávka is mainly remembered as one of the most successful architects and builders of the 1860s. In a period of ten years from the 1860 to the 1870, he designed and built almost 150 buildings. One of the most significant achievements is the Vienna Opera which he built at the request of Emperor Franz Joseph I during the period of 1863-1869. The Emperor was very pleased with it and presented him with a special prize. and Josef Pechar, Marina Hužvárová.
- Rights:
- http://creativecommons.org/publicdomain/mark/1.0/ and policy:public