The official Burgundian historiographer Georges Chastellain (perhaps 1415-1475) left an extensive work of various genres behind. We also find in the Chronicle noteworthy Bohemicalia and Luxemburg passages, concerning particularly the origin of Hussitism. Chastellain saw the roots of this revolution in the lascivious alliance of Prague girls and the monks of one monastery there. To be able to sleep with their lovers, the girls cut their hair and wore monk´s cowls. It was the beginning of absolute chaos and reversal of the established hierarchies in Bohemia. We do not know the direct source of the author´s inspiration, but ideologically the story is close to a number of works of anti-Hussite propaganda, emphasising the destructive role of women in the revolution. It is also not an accident that Chastellain included the chapter on the Prague girls just before the narrative on Joan of Arc, for whom as an author from Burgundy he did not sympathize. Also she changed into men´s clothing and her behaviour led to wars and chaos according to the author. The parallel was to be obvious. At the time when he wrote the passage on Hussitism, Georges Chastellain also considered the mission of historians and their place in the period society. He ascribed a place to them almost on the same level as aristocrats. It was a parallel: like aristocrats use the sword, the tongue must serve men of the quill for the elimination of the injustice of this world. and Martin Nejedlý.
A large number of songs have been preserved in the Strahov Codex (ca. 1465/67-1470), an important collection of polyphony from the latter half of the fifteenth century. These songs were once generally regarded as cantiones in Latin or as instrumental compositions, but a detailed study of this repertoire shows that the manuscript is an important source of secular compositions, and especially of chansons. Most of these songs have been preserved only in this manuscript. Questions remain as to when they were composed and how they found their way into a manuscript that originated in one of the Catholic regions of Bohemia., Lenka Hlávková-Mračková., and České resumé na s. 270.
The study offers a basic overview of the manuscripts of the ars memorativa treatises in late medieval Czech lands. On the basis of the surviving evidence it is possible to prove that during the 15th century this ancient art (however suspicious and cumbersome it may seem today) was known and practiced here. It coexisted with general (often primarily medical) set of advices on efficient studying some of which openly criticize the art of memory for being too impractical. Besides copies of Italian and West European art of memory models, there is a number of these treatises and shorter treatments of the art composed in the Czech lands. Each of them includes specific features and innovations not encountered elsewhere. The manuscript context of ars memorativa shows that it was not seen as a part of rhetoric theory intended for a restricted number of intellectuals but as a means of storing and recuperating important information actively used especially by students and preachers. and Lucie Doležalová.