The article focuses on early theatre criticism in Prague and Vienna at the end of the 18th century. It analyzes the argumentational forms and critical strategies. The 1790s are represented by three periodicals: Der Wahrheitsspiegel (Prague 1796-1798), Österreichische Monatsschrift (Prague - Vienna 1793-1794) and Der Theatralische Eulenspiegel (Prague 1797). The study is based on a close reading of six specific theatre critiques. It deals with epoch-typical critical postulates, with taste (Geschmack), impartiality (Unparteilichkeit) and the aesthetic concept of theatre as a real illusion (wahre Täuschung). This analysis of individual attitudes is also a contribution to the description and interpretation of theatre history and repertoire reforms., Alena Jakubcová jun., and Obsahuje bibliografické odkazy
The library of the Order of St Augustine in the Lesser Town of Prague, comprising more than 18,000 volumes, is an extraordinary book set of significant scientific and historical value. Nevertheless, a scientific study that would cover the entire history of the library was not available until now. This article provides a brief outline of the history of the monastic library at St Thomas, mentioning some remarkable figures that have contributed to its prosperity. The introductory part brings information on the binding rules governing the librarian practice in the monastic libraries of the Order of Saint Augustine in the Middle Ages. Because of the long time span, this treatise has been divided into two parts - the medieval and modern history of the library. Particular attention is paid to two periods - the 14th and 18th centuries, during which some members of the Order held leading positions at the university in Prague and, through their pastoral, preaching and educational activities, they were actively involved in the social, cultural and spiritual edification of broad social classes., Veronika Sladká., Obsahuje anglický abstrakt a shrnutí., and Obsahuje bibliografii
Despite the state borders, and the different socioeconomical and cultural contexts, productions of Italian opera in Prague and Dresden become considerably interconnected due the activity of the impresario Giuseppe Bustelli. During his directorship (1764-1777 in Prague, 1765-1777 in Dresden) and even in the next decade, more than 50% of the repertoire was shared. Furthermore, some of the artists performed in both cities, and the same or similar adaptations of operas were used. The main difference in repertoire consisted in opera seria productions in Prague until 1777, whereas in Dresden only opera buffa was staged since 1765. Analyses of selected works reveal some of both similar and different performing strategies and their aesthetical, practical as well as political connections., Marc Niubo., and Obsahuje bibliografické odkazy
The aims of the article are to present the development and the degree of representation of individual languages in the Prague printed production of the 16th century and to confirm, or revise, the existing knowledge. The study is also an example of the possible use of the newly created virtual research tool formed within the Knihoveda.cz project. The search interface that is being prepared and is going to be presented to the public in 2020 i.a. provides access to the hitherto separate bibliographical databases Knihopis and Bibliografie cizojazyčných bohemikálních tisků 1501-1800 [Bibliography of Foreign-Language Printed Bohemica 1501-1800]. This will significantly facilitate research into the development of the printed production in the Czech lands in its entirety regardless of language division., Vojtěch Šícha., Obsahuje anglické resumé, and Obsahuje bibliografické odkazy
There are many uncertainties about the production and dissemination of vocal polyphony manuscripts from Prague illuminators’ and scribes’ ateliers compared with the dissemination of monophonic vocal manuscripts. The only known “workshop” producing manuscripts with primarily polyphonic music is the one led by Master Jan Kantor Starý († 1582) in Prague’s New Town. However, the number of surviving manuscripts suggests that more “workshops” might have existed in Prague at the turn of the 16th and 17th centuries. The goal of this study is to ascertain if there were any other ateliers in Prague producing vocal polyphony manuscripts during the analysed period. The findings are based on recent palaeographic and codicological analyses of the selected group of polyphonic sources written by identical scribal hands: Kutná Hora Codex from 1593 (Czech Museum of Music, Prague), Trubka’s Gradual from 1604 (Prague City Archives, Prague), the Partbook of the St. Barbara Literary Brotherhood in Přeštice from 1619 (National Library of the Czech Republic, Prague) and a bifolio from an unknown partbook in the Gradual of the St. Castulus Church from 1580 (Library of the Archbishop’s Chateau, Kroměříž). The comparison of the analysed scribal hands indicates the existence of an atelier that was probably from the milieu of the royal court. Systematic inquiries into the professional production of polyphonic manuscripts should thus continue because that is the only way to better and fully understand the musical culture of the Czech lands during the Renaissance., Natálie Krátká., Obsahuje bibliografické odkazy, and Jan Pulkrábek [překladatel]