Prior to analysing and comparing delinquent groups of youths at the international level, it is necessary to create a definition of this phenomenon: what is a gang? Definitions of what constitutes a juvenile gang within comparative research are invariably general in nature; and their subsequent operationalisation in empirical research constrains research about gang membership in specific contexts. This article argues that the ‘Eurogang’ definition employed in the second wage of International Self-Report Delinquency (ISRD) Study has a number of potential weaknesses; and this study offers a solution by proposing a revised gang definition for the Czech Republic, Germany, Austria and Switzerland. and Eva Moravcová.
The South Korean film industry represents a masculine-privileged gender regime that over the last few decades has shown a newfound strength both at home and abroad. However, challenging this masculine privilege are a growing number of important though unheralded female writers-directors operating in both the independent and commercial sectors of the industry. In this article, the authors present a case study that explores the work of five of these female writers-directors within this context. They begin by asking two key questions: can female writers-directors find a voice within the Korean film industry that challenges the traditional gender stereotypes both within the industry and in the wider Korean culture? How can the Korean experience connect to the Western experience? The first methodological step in explicating the case study is to set out a particularly Western theoretical approach that emphasises the idea that masculine privilege exists hegemonically within the so-called ‘hegemony of men’. The authors then go on to highlight specific elements in the work of these female writers-directors that expose aspects of both challenge and constraint within the hegemony of men. They conclude that, although the work of these female writers-directors indeed challenges tradition and gendered stereotypes sustained within the hegemony of men, such challenges represent moments of reformism rather than revolutionary systematic change., Richard Howson, Brian Yecies., and Obsahuje bibliografii
This article seeks to contribute to the discussion about literary images of fatherhood in contemporary Czech and Polish prose. It focuses on analysing the specific literary spaces that have emerged alongside a new type of literary character, namely, ‘new fathers’, who give up their professional activities to stay home and look after babies. A comparative analysis of two novels - Petr Šabach’s Putování mořského koně (The Pilgrimage of a Sea Horse) and Marek Kochan’s Plac zabaw (The Playground) - presents the similarities in the structures of their literary space and in the way masculinity is contextualised in the space of the playground and the home. The article sets the analysis against the backdrop of social changes affecting parenting and fatherhood in Poland and the Czech Republic in recent decades., Marcin Filipowicz., and Obsahuje bibliografii