Vyplývá z bezvadně provedeného důkazu také závazek počítat ve svém dalším rozvažování a jednání s jeho závěrem? V předložené studii se zabývám Hobbesovým Leviathanem coby "literární technologií", která čtenáře staví do role autora v Leviathanu rozvíjené argumentace. V tomto smyslu kriticky navazuji jednak na interpretaci Hobbesova vědeckého stylu, kterou nabízejí S. Shapin a S. Schaffer, jednak na výklad Q. Skinnera, který se podrobně zabývá Hobbesovou rétorickou praxí. Nabízím tezi, podle níž se Hobbes v kontaktu se svým publikem nespokojuje s předvedením vědeckého důkazu, nýbrž své čtenáře nechává na vytváření vědecké argumentace a jejím závěru osobně participovat., Does a perfectly established proof also imply, for its beholder, a commitment to account for the proof’s conclusion in further reasoning and action? In the herein presented study, I treat Thomas Hobbes’s Leviathan as a “literary technology” that seeks to position the reader into the role of the author of Leviathan’s argumentation. The interpretations of Hobbes’s scientific style offered by S. Shapin and S. Schaffer are thus critically developed alongside Q. Skinner’s analysis of Hobbes’s rhetorical practice. It is suggested that, with regard to his readers, Hobbes does not content himself with merely demonstrating a scientific proof, but strives to involve his readers in his argumentation and make them participate in the creation of scientific arguments and their conclusions., Jan Maršálek., and Obsahuje bibliografii
Studie Petry Kolátorové se zabývá osobností hobojisty Arnošta (Ernsta) Königa (1838-1915), významného hudebníka pražského hudebního života druhé poloviny 19. století., This contribution maps the activity of Arnošt König (1838–1915), an oboist of German origin, primarily in Prague’s musical life at the time. During the years 1870–1913, A. König was the professor of oboe at the Prague Conservatory, and from 1876 he was an oboist at the Prague Provisional Theatre and then at the National Theatre. Reviews and articles from the period show what an exceptional musician he was, as he earned recognition even beyond Bohemia. Many mentions praising him in the press have been preserved in connection with the difficulty for performers of Dvořák’s Serenade in D Minor, op. 44, in which A. König excelled repeatedly. It can be documented at least twice from Dvořák’s extant correspondence that performances elsewhere of the Serenade were cancelled because of its difficulty. Together with the aforementioned reviews, this fact shows that in Prague Antonín Dvořák (and others) had exceptional conditions for musical performances., Petra Kolátorová., Rubrika: Studie, and Anglické resumé na s. 287, anglický abstrakt 267.
The reconstruction algebra is a generalization of the preprojective algebra, and plays important roles in algebraic geometry and commutative algebra. We consider the homological property of this class of algebras by calculating the Hochschild homology and Hochschild cohomology. Let Λt be the Yoneda algebra of a reconstruction algebra of type A1 over a field k. In this paper, a minimal projective bimodule resolution of Λt is constructed, and the k-dimensions of all Hochschild homology and cohomology groups of Λt are calculated explicitly., Bo Hou, Yanhong Guo., and Obsahuje seznam literatury