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Start Over Format svazek Rights http://creativecommons.org/licenses/by-nc-sa/4.0/ Subject 19. století

1. Bořivoj Srba: V zahradách Thespidových. K vývojové problematice českého jevištního výtvarnictví XIX. století

Creator:
Vlasta Koubská
Format:
print, bez média, and svazek
Type:
article, recenze, recensions, model:article, and TEXT
Subject:
Srba, Bořivoj, 1931-2014, 19. století, dějiny divadla, scénografie, history of theater, scenography, Česko, Czechia, 792.021, 792(091), and (0:82-95)
Language:
Czech
Description:
Vlasta Koubská., Rubrika: Recenze, and Cizojazyčné resumé není.
Rights:
http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public

2. Horizontály a vertikály Máchova Máje: podrobný výklad jeho tvarů a významů

Creator:
Prokop, Dušan
Publisher:
Ústav pro českou literaturu AV ČR, v.v.i
Format:
electronic, svazek, and 205 stran.
Type:
model:monograph and TEXT
Subject:
Česká literatura (o ní), Mácha, Karel Hynek, 1810-1836, 19. století, česká poezie, poetika, literárněvědné rozbory, textová analýza, Czech poetry, poetics, literary criticism and history, textual criticism, 821.162.3-1, 82.0, 82.09, 801.73, (048.8), 11, and 821.162.3.09
Language:
Czech
Description:
Dušan Prokop., Název z obálky, Obsahuje bibliografii a rejstřík. Obsahuje errata., Vydáno jako pracovní text., and born digital
Rights:
http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public

3. Ideál v hávu dokumentarity: literární zdroje v Dětech čistého živého Terézy Novákové jako prostředek konstruování národní paměti

Creator:
Vrajová, Jana
Format:
bez média and svazek
Type:
model:article and TEXT
Subject:
Teréza Nováková, 19. století, realismus, ideál, diskurzivita, 19th century, realism, ideal, and discursivity
Language:
Czech
Description:
This study offers a revised classification of the movements involved in Teréza Nováková’s work, with specific reference to the novel Děti čistého živého (Children of Pure Living Spirit). Reference is made to the literary-historical and period metanarrative, emphasizing the presence of the ideal in the author’s work, which, however, was somewhat sidelined in the historical context, so that with the passage of time, Nováková was categorized under documentary realism. In the context of recent literary-history debates over the term ideal realism, and making use of the reception at that time, we demonstrate the stylization techniques Nováková used to construct, through her acknowledged work with oral and written documents, a text referring to the idea of nation-building based on culturally accepted paradigms.
Rights:
http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public

4. In the Shadow of the Conservatoire: the Prague Organists College (1830-1889/1890)

Creator:
Michaela Freemanová
Format:
print, bez média, and svazek
Type:
article, studie, studies, model:article, and TEXT
Subject:
19. století, dějiny hudby, hudební instituce a organizace, hudební školy, hudební život, muzikologie, history of music, music institutions, music schools, musical life, musicology, Praha (Česko), Prague (Czechia), 78.01, 373/378:78, 78:061.23, 78(091), 78-027.22, and (048.8)
Language:
Czech
Description:
Studie Michaely Freemanové se zabývá působením pražské varhanické školy, která patřila k významným vzdělávacím institucím v čechách v 19. století., In the early decades of the 19th century, three important music institutions were founded in Prague – the Tonkünstler Wittwen-und-Waisen Societät, the Conservatoire and the Organists College, opened in 1830 by the Verein der Kunstfreunde für Kirchenmusik in Böhmen (the Society for Sacred Music in Bohemia, founded in 1826). The aim of the Society was to awaken an interest among the wider public in sacred music which, at that time, was neglected and in decline. The Organists College offered tuition to members of the Christian churches as well as to Jewish communities. During the one-year course, later extended to two, and subsequently to three years, the organists, and later also choirmasters, acquired a knowledge of harmony, counterpoint, figured bass, improvisation and composition, and also learnt how to perform sacred music. The school was attended by numerous outstanding musicians, from home and abroad, among them Antonín Dvořák and Leoš Janáček; in 1890, it merged with the Prague Conservatoire., Michaela Freenamová., Rubrika: Studie, and České resumé na s. 392, anglický abstrakt na s. 369.
Rights:
http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public

6. Ohlasy filozofie Georga Wilhelma Friedricha Hegela v hudebněteoretickém díle Moritze Hauptmana

Creator:
Eva Myslivcová
Format:
print, bez média, and svazek
Type:
article, články, model:article, and TEXT
Subject:
Hauptmann, Moritz, 1792-1868, Hegel, Georg Wilhelm Friedrich, 1770-1831, 19. století, muzikologie, musicology, hudební teorie, music theory, filozofie, philosophy, filozofie hudby, philosophy of music, 78.01, 781, 101, and (046)
Language:
Czech
Description:
Studie Evy Myslivcové se zabývá vlivem názorů filozofa a estetika Georga Wilhelma Friedricha Heugela v hudebně-teoretickém díle Moritze Hauptmanna "Die Natur der Harmonik und der Metrik" z roku 1853., Eva Myslivcová., Rubrika: Studie, and Německé resumé na s. 229, anglický abstrakt na s. 221.
Rights:
http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public

7. Oskar Pausch: Die Pokornys. Ein Beitrag zur mitteleuropäischen Theatergeschichte des 19. Jahrhunderta. Mit einem Katalog des Nachlasses im Österreichischen Theatermuseum

Creator:
Vlasta Reittererová
Format:
print, bez média, and svazek
Type:
article, recenze, recensions, model:article, and TEXT
Subject:
Pausch, Oskar, 1937-2013, Pokorný, František Xaver, 1797-1850, Pokorný, Alois, 1825-1883, 19. století, divadelní věda, dějiny divadla, dějiny hudby, hudebníci, muzikologie, history of music, history of theater, musicians, musicology, theatrology, Vídeň (Rakousko), Vienna (Austria), 78.01, 792.01/.09, 792(091), 78.071.1/.2, 78(091), and (0:82-95)
Language:
Czech
Description:
Vlasta Reittererová., Rubrika: Recenze, and Cizojazyčné resumé není.
Rights:
http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public

8. Umělec v (pre)modernistickém smyslu: ohlas Máchova díla v literární publicistice po roce 1858

Creator:
Charypar, Michal
Format:
bez média and svazek
Type:
model:article and TEXT
Subject:
Mácha, Karel Hynek, modernismus, 19. století, česká literatura, recepce, publicistika, kritika, modernism, 19th century, Czech literature, reception, journalism, and criticism
Language:
Czech
Description:
This study seeks an answer to the question when and how the Czech romantic K. H. Mácha (1810–1836) started to be seen as a “modern” poet who could inspire authors writing decades after his death. The study proves that the image of “modern” Mácha as the first Czech poet to achieve the autonomy of art already existed between 1860 and 1890, and that Mácha’s artistic reputation grew constantly throughout the second half of the 19th century. This argument is based on a vast amount of evidence, mostly taken from literary journalism and criticism between 1858 and 1910 (the latter year seeing the centenary of Mácha’s birth).
Rights:
http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public