Následující text prezentuje některé poznatky o občanské kultuře v České republice učiněné na základě speciálního šetření uskutečněného v srpnu 2009 jako součást mezinárodního komparativního výzkumu u příležitosti 50. výročí realizace původního výzkumu G. A. Almonda a S. Verby a následného vydání jejich známé knihy The Civic Culture: Attitudes and Perception of Democracy in Five Nations. Kromě toho se s využitím dat z předchozích dlouhodobých kontinuálních výzkumů veřejného mínění pokouší o stručný nástin vývoje občanské kultury v českých zemích v průběhu uplynulých dvaceti let po pádu komunistického režimu v roce 1989., Following text presents some findings concerning the civic culture in the Czech Republic based on results of a special survey conducted in August of 2009 as a part of international comparative research project commemorating the 50th anniversary of realization of G. A. Almond’s and S. Verba’s original survey and their classic study The Civic Culture: Attitudes and Perception of Democracy in Five Nations. Using data from continuous public opinion surveys the text also tries briefly to outline the development of civic culture in Czech countries during last two decades after fall of communist regime in 1989., and Jan Červenka.
The present study focuses on the problem of the development of mortality in the parish of St. Anne in Cheb (Eger) in the years 1787-1901. On the basis of excertped parish registers of the dead were ascertained the numbers of dead, the gross mortality rate, average life duration, mortality of newborns and children, aseasonal oscillations, and also the analysis of the causes of death was realized., Jana Kolouchová., and Obsahuje bibliografii
Since about 2004, the boom in the production of original Czech television series has been accompanied by the slow but steady increase in the appearance of non-heterosexual characters on TV. This analysis focuses on gay characters: what they are like, why and how they appear and disappear, how their non-heterosexuality is established and how it develops in the narrative of the series. A notable change can be observed in how gay male characters are being depicted: from depictions of mostly miserable characters whose coming out is their only dramatic potential in the narrative, to more complex portraits of characters who are incorporated into the story, experiencing love, partnerships and even parenthood - elements otherwise normal in series narratives. Alongside this more descriptive type of analysis, the author draws on Connell and Messerschmidt’s concept of hegemonic masculinity to draw attention to representations of practices that produce the masculinity of non-heterosexual (male) characters as subordinate , as complicit, and, in the case of recent characters, even as hegemonic. The representation of non-heterosexual characters as hegemonically masculine seems to be a form of ‘narrative redemption’ through homonormativity., Zdeněk Sloboda., and Obsahuje bibliografii
Transnational feminism has become a significant global actor in recent decades, but it is not unanimous. Imperial tendencies of western feminists to influence women in other cultures have already appeared in the history of the feminist movement. Criticism of white Euro-American feminism, especially in the form of global sisterhood, has reached a peak in the past three decades, especially in international fora. Anti-colonial feminists have complained about the racist and orientalist practices of American feminists. Black and latino women, Eastern European post-communist women, and Islamic feminists have voiced protest against the universalisation of feminism and western forms of emancipation. This article presents these challenges to the feminist movement and the recent shift to the concept of transnational feminism that includes intersectional analysis and transversal politics. The author argues that in the 1990s post-socialist feminists were critical of the West in the same way that third-world feminists have been. Today this problem is beginning to twist as the post-socialist feminists became the part of the dominant subject and they need to take into account the criticisms of marginalised women from developing countries., Marta Kolářová., Obsahuje bibliografii, and Anglické resumé