Dosavadní rozšíření výrazného typu bronzové spony středolaténské konstrukce se zdobeným štítkovým lučíkem se omezuje pouze na středoevropský prostor s jednoznačným těžištěm výskytu v Čechách a na Moravě. Tato skutečnost opravňuje jejich J. Wernerem navržené označení jako „bójské“ spony. Spony získané z oppidálního prostředí ukazují na jejich rámcové datování do rozmezí stupňů LT C2-D1. and The existing distribution of a distinct type of bronze fibula of the Middle La Tène construction with a decorated plate bow is restricted to Central Europe, with a pronounced concentration of finds in Bohemia and Moravia. This fact justifies their designation as “Boiian” fibulae, as proposed by J. Werner. The fibulae acquired from oppida indicate a general dating in the phases LT C2-D1.
This discussion piece relates to Erazim Kohák’s book Domov a dálava (Hearth and Horizon), a book that has opened up an interesting and fruitful perspective for consideration of the question: What does it mean today to be a Czech? Inspired by Kohák’s emphasis on the attempt of the foremost Czech intellectuals to model their ideals of Czech culture in the context of the wider development of Europe as a whole, the author asks why Europe was the source of the nationalistic way of thinking and he considers how this thinking was the result of certain (unfortunate) conditions and decisions, and how the overcoming of this thinking is what may (paradoxically it would seem) be the new task of the Czech nation.
Author of the study presents, on the basis of the analysis of the modifications of the story on the origins of the Přemyslid dynasty in medieval narrative sources (Legend of Kristián, Chronicle of Kosmas, Old Czech Chronicle of the so called Dalimil, ...) as well as their comparison.
The article focuses on the social and political implications of the ballet and social dance of the 17th and early 18th centuries. By the end of the 1660s, the idea of demonstration of French power through the allegorical ballets lost its importance, and the court dance functions were transferred to the balls. There, the dancers had to present themselves according to the social hierarchy, and in the manner appropriate to their rank. The fact that the dance ideal, which developed from the late 16th century, and reached its peak during the reign of Louis XIV, applied for the social dance deep into the 18th century, showed itself not only in the period ways of dance music performance, but also in its development.
This text deals with the contruction of national identity through sports discourse in media, with the main attention paid to the "failed" performance of Slovak sportsmen at the Olympic Games in London 2012. As Slovaks didn´t repeat their previous medal achievements in London 2012, therefore the media ironically labeled their performance as the "Bronze Age". This study presents the findings of a discourse analysis, which was applied to the sport commentaries published in Slovak press after the London 2012 Olympics. The method of analysis is based on the approach of Norman Fairclough, and therefore social identities, relations and systems of knowledge are distinguished within the studied articles.
Housework has always been one of the main issues of feminist debates. The aim of the article is to show how the housewife became the subject of political debate. The article focuses on the feminist and political discourse surrounding household chores in post-war Czechoslovakia (1945–1947). Drawing on an analysis of the journal Our Household (Naše domácnost) and discussions in parliament, we argue that after WWII the women’s movement and the National Socialists called for the recognition of domestic work as equal to occupations outside the home. This article contributes to the debates about the recognition of housework by showing how the issue of housework was addressed in a particular period of Czech history and what strategies were employed to improve the representation of household chores and the position of housewives in society
The article examines ideological and institutional role of the “greening” policy in the Soviet urban planning practice of 1920-1930s. Relying on the example of the socialist city of Uralmash in Yekaterinburg (Sverdlovsk) the author traces how the idea of the “green city” affected the development of the urban settlement in terms of its functional mechanism and symbolic transformation. By analyzing the logic of the Uralmash “green” policy and its main narratives he argues that successful improvement of the post-Soviet green zones depends not so much on the new urban city-planning initiatives as on the new symbols and meanings that could give a clear vision of these spaces in the current social and cultural context.
Studie Milady Jonášové se zabývá využitím jmenované kantáty italského hudebního skladatele Benedetta Marcella operním impresáriem Antoniem Denziem v pasticciu "Sansone", provedeným v roce 1729 na scéně pražského divadla v paláci hraběte Františka Antonína Sporcka., Milada Jonášová., Rubrika: Studie, and České resumé na s. 51, anglický abstrakt na s. 5.
The paper focuses on the social situation and social practices of female care migrants (at the age of 50 and above) from the South Moravia (the region of Mikulov, Břeclav) who migrate for work to Austria as domestic workers-caregivers for seniors at regular intervals (circular migration). The main aim of the text is to argue that translocal female migrants paradoxically perceive their labour migration as a specific form of emancipation, despite the fact that they work in the so-called live-in-service jobs (where they live and work in private households) and often experience indignity. While in Austria they work in gendered and very demanding jobs with low wages, circular care migration provides them with the possibility to extend their gender power in the transforming Czech society. There is thus a paradox in that while they are marginalized in Austria, they are empowered on the Czech side of the border. This is achieved through paid reproductive work and better access to income, which leads to personal consumption based on their own interests and overall personal benefit. Special attention is paid to new forms of translocal care chains and new forms of these women’s partner cohabitation (living apart together).
This paper provides an overview of developments affecting Slovenian social housing after the country’s transition to a market economy. It analyses the Slovenian institutional framework, its functioning and critically evaluates its sustainability. The economic and social impacts of the global financial crisis saw the sector face strong challenges and revealed its weaknesses. A new strategic document was adopted in 2015 to respond to the situation. Although this new document offers a transition to the more sustainable and better provision of social housing in practice, it is still too early for optimism since it would not be the first time in Slovenia that a strategic document has primarily remained only on the declaratory level.
Autor reaguje na publikaci archeologického výzkumu na tabulové hoře Úhošť z pera Zdeňka Smrže. Diskusí procházejí přírodní parametry, otázka opevnění a umělého pahorku. Příspěvek zařazuje Úhošť do kontextu dalších tabulových hor ve střední Evropě, které vydaly doklady svého využití od doby bronzové do středověku. and The author responds to the publication of an archaeological excavation conducted at the Úhošť mesa by Zdeněk Smrž. The article addresses the site’s natural parameters, the issue of fortifications and the man-made hilltop, and also places Úhošť in the context of other mesas in Central Europe that have produced evidence of their use from the Bronze Age to the Middle Ages.
The municipal elections of 1919 and the parliamentary/senate elections of 1920 gave women their first opportunity to exercise their new right to vote, and as such were important milestones in the forming of women’s new status as equal citizens. The paper analyses election campaigns aimed at female voters in selected periodicals published by the Czech Catholic People’s Party in 1919 and 1920: the newspaper Lid (The People) and the newly established magazine Žena (Woman). It explores the main topics and strategies of the campaign and identifies the underlying concepts of women’s political interests and motivations. The main focus is on the magazine Žena and its attempts to reconcile traditional Catholic femininity and the ‘separate spheres’ model with women’s newfound status as political actors and to create a picture of a new, politically active Catholic woman for its readership.
The Academies of St John presented by the Society of Bohemian Journalists in the form of a series of orchestral concerts held in Prague took place as a part of celebrations in honour of St John of Nepomuk held each May from 1878 until 1885. The Society of Bohemian Journalists held the events for the purpose of raising money, and on an ideological level, the events were intended to create room for the presentation of orchestral works by Bohemian composers. The organizer of the Academy was the writer, poet, and journalist Jan Neruda, whose feuilletons and reviews in the newspaper Národní listy reflect on the academies that they produced, but on a broader level, they also reveal his attitude towards the saint and the traditional veneration of John of Nepomuk. As a source, this period correspondence of the direct or indirect participants in the Academies of St John or in another project with similar aims (the Slavonic Concerts of the Academic Readers Association) has not previously been exhaustively studied, and it offers insight into Prague’s concert life at the time., Petra Kolátorová., Rubrika: Studie, Obsahuje seznam literatury, and Anglické resumé na s. 296-298.
Studie se zaměřuje na kontext, který umožňuje porozumění Jungově Červené knize (Liber Novus). Tato kniha je chápána jako dokument o Jungově vlastní aktivní imaginaci. Aktivní imaginace je proces zprostředkovávající mezi vědomou, záměrnou snahou já na jedné straně, a spontánní, autonomní aktivitou nevědomí na straně druhé. Studie se zaměřuje na několik základních aspektů aktivní imaginace a jejich realizaci v Červené knize. and The study focuses on context, which enables the understanding of Jung´s Red book (Liber Novus). This book is understood as a document about Jung´s own active imagination. The active imagination is process mediating between conscious, intentional activity of ego on the one side and spontaneous, autonomous activity of unconsciousness on the other. The study focuses on some basic aspects of active imagination and their realization in the Red Book.
Studie Marie Škarpové se zabývá literárními prameny a okruhy duchovních písní, které byly inspirací pro repertoár kancionálu "Jesličky, staré a nové písničky", jehož autorem byl přední český barokní básník a duchovní Fridrich Bridelius., This study deals with that portion of the repertoire of the Czech Advent and Christmas songbook Jesličky (Prague, 1658) by Fridrich Bridelius, which newly appeared in Czech hymnography thanks to this song book, and it summarizes the various results of the search for textual sources from other languages for these “new” songs in Jesličky. It points out their ties to contemporary German written hymnography (of both German and Bohemian provenience) and to Latin hymnography, i.e. to contemporary Latin songs. The text is thus not only a contribution towards discovering the ways that Czech hymnographers of the 17th century became familiar with the new, i.e. baroque, poetic language, but also, above all, an attempt to stimulate further hymnological research on baroque hymnographic works in the early modern history of Central Europe and the interconnections and relationships between them., Marie Škarpová., Rubrika: Studie, and České resumé na s. 397, anglický abstrakt na s. 377.
The paper explores the relationship between normalising bodies and normalising political orders by investigating medical discourses in Germany in the second half of the 19th century. It argues that medical scientists not only presented knowledge about bodies, health, and pathologies, but also used this knowledge to promote a specific form of political order as the ‘true’ and ‘proper’ political order. In the paper, discourses from two different medical fields are analysed. The first part focuses on physiology, because it was not only key in promoting new medicine as a natural science, but also because many of its proponents were involved in the revolution of 1848, and continued to advance democratic ideas after the failed revolution, throughout the second half of the 19th century. It is argued that even though physiologists favoured democracy, their understanding of it was nonetheless narrow and androcentric. The second part focuses on medical sub-disciplines that specifically addressed sexuality and gender, such as psychiatry and sexology. Instead of seeking to advance a democratic political order, protagonists here used their epistemological clout to pathologise and thereby actively discredit ongoing political struggles such as the feminist movement and the socialist movement that aimed to establish a fundamentally different political order. From a feminist perspective the paper reveals how the powerful constructions of ‘sex’ and ‘sexuality’ structured both discourses: Imaginations of ‘sex’ and ‘sexuality’ were deployed to produce and legitimate medical regimes of truths about the body and, as a consequence, about a specific political order.