Radonový program byl zahájen v 80. letech minulého století. Nyní probíhá jeho třetí dekáda. Autorka zastupuje v tomto programu ministerstvo zdravotnictví s hlavním úkolem šířit informace o riziku radonu a o možnostech ochrany zdraví. V článku je podána informace o aktuálních aktivitách., The Radon programme was launched in the 1980s and at present its 3rd decade is being realised. The autor is a representative of the Czech Ministry of Health with the main task to spread information about the risk of radon and about the possibilities of health protection. There is given information of topical interest about activities of the programme., Ariana Lajčíková, and Literatura
The article looks at how emotion is represented in Bohemian folk chronicles, i.e. texts of a historiographic character, written by autodidacts - mostly peasants and artisans. At the core of our analysis is the most famous work of this kind, Paměti Františka Jana Vaváka z let 1770-1816 (Memoirs of František Jan Vavák 1770-1816). Other writings from the turn of the 19th century (e.g. those of Václav Jan Mašek, Jan Petr, Ondřej Lukavský) are also considered. Our initial question is: How, and in which contexts, did Czech-speaking authors of the late 18th and early 19th century, having no opportunity to get acquainted with contemporary philosophical theories, express affects? The study shows that the emotions, especially joy and grief, are expressed in a way recommended by early modern rhetoricians (e.g. Cypriano de Soarez or Bernard Lamy): particular figures are associated with particular affects. Though the principle is the same, the figures used by autodidacts differ from those recommended by the rhetoric manuals. Being unable to read Latin, German or French rhetorics, the authors had probably grasped the principles of how to represent affect from their reading, but adapted them according to their own talent and vision. As might be expected given the rural origin and values of the authors, joy is expressed mostly in the context of weather favourable for the harvest, while grief is realised in the context of rising prices and natural disasters., Dmitrij Timofejev., and Obsahuje bibliografické odkazy