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Start Over Format bez média Subject 19. století Type model:article

1. Bořivoj Srba: V zahradách Thespidových. K vývojové problematice českého jevištního výtvarnictví XIX. století

Creator:
Vlasta Koubská
Format:
print, bez média, and svazek
Type:
article, recenze, recensions, model:article, and TEXT
Subject:
Srba, Bořivoj, 1931-2014, 19. století, dějiny divadla, scénografie, history of theater, scenography, Česko, Czechia, 792.021, 792(091), and (0:82-95)
Language:
Czech
Description:
Vlasta Koubská., Rubrika: Recenze, and Cizojazyčné resumé není.
Rights:
http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public

2. Evangelický rukopisný sborník ze čtyřicátých let 19. století

Creator:
David Mach
Format:
print, text, regular print, bez média, and jiný
Type:
article, studie, studies, model:article, and TEXT
Subject:
Rukopisy, prvotisky, staré tisky. Vzácná a pozoruhodná díla, Manuscripts, rare books, other rare printed materials, Národní knihovna České republiky, 19. století, české rukopisy, náboženská literatura, evangelictví, historické knihovní fondy, exilová literatura, konfese (vyznání), Czech manuscripts, religious literature, Evangelicalism, historical book collections, exiles' writings, religious confessions, Česko, Czechia, theological literature, denominational controversies, religious evangelical exile, 1620s-1630s, National Library of the CR, 12, 09, and 090
Language:
Czech
Description:
The article presents a manuscript collection of texts of evangelical provenance that has recently been purchased in a German second-hand bookshop. According to a chronogram, this manuscript is likely to come from 1840. The manuscript consists of fifteen relatively independent text sections thematically related to the denominational controversies before and after the battle of White Mountain. The paper examines possible printed or manuscript models of individual parts and as well as their reflection in both earlier and more recent bibliographic literature. and David Mach.
Rights:
http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public

3. Ideál v hávu dokumentarity: literární zdroje v Dětech čistého živého Terézy Novákové jako prostředek konstruování národní paměti

Creator:
Vrajová, Jana
Format:
bez média and svazek
Type:
model:article and TEXT
Subject:
Teréza Nováková, 19. století, realismus, ideál, diskurzivita, 19th century, realism, ideal, and discursivity
Language:
Czech
Description:
This study offers a revised classification of the movements involved in Teréza Nováková’s work, with specific reference to the novel Děti čistého živého (Children of Pure Living Spirit). Reference is made to the literary-historical and period metanarrative, emphasizing the presence of the ideal in the author’s work, which, however, was somewhat sidelined in the historical context, so that with the passage of time, Nováková was categorized under documentary realism. In the context of recent literary-history debates over the term ideal realism, and making use of the reception at that time, we demonstrate the stylization techniques Nováková used to construct, through her acknowledged work with oral and written documents, a text referring to the idea of nation-building based on culturally accepted paradigms.
Rights:
http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public

4. In the Shadow of the Conservatoire: the Prague Organists College (1830-1889/1890)

Creator:
Michaela Freemanová
Format:
print, bez média, and svazek
Type:
article, studie, studies, model:article, and TEXT
Subject:
19. století, dějiny hudby, hudební instituce a organizace, hudební školy, hudební život, muzikologie, history of music, music institutions, music schools, musical life, musicology, Praha (Česko), Prague (Czechia), 78.01, 373/378:78, 78:061.23, 78(091), 78-027.22, and (048.8)
Language:
Czech
Description:
Studie Michaely Freemanové se zabývá působením pražské varhanické školy, která patřila k významným vzdělávacím institucím v čechách v 19. století., In the early decades of the 19th century, three important music institutions were founded in Prague – the Tonkünstler Wittwen-und-Waisen Societät, the Conservatoire and the Organists College, opened in 1830 by the Verein der Kunstfreunde für Kirchenmusik in Böhmen (the Society for Sacred Music in Bohemia, founded in 1826). The aim of the Society was to awaken an interest among the wider public in sacred music which, at that time, was neglected and in decline. The Organists College offered tuition to members of the Christian churches as well as to Jewish communities. During the one-year course, later extended to two, and subsequently to three years, the organists, and later also choirmasters, acquired a knowledge of harmony, counterpoint, figured bass, improvisation and composition, and also learnt how to perform sacred music. The school was attended by numerous outstanding musicians, from home and abroad, among them Antonín Dvořák and Leoš Janáček; in 1890, it merged with the Prague Conservatoire., Michaela Freenamová., Rubrika: Studie, and České resumé na s. 392, anglický abstrakt na s. 369.
Rights:
http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public

5. Knížky lidového čtení jako historický pramen

Creator:
Matiášová, Barbora
Format:
print, text, regular print, bez média, and svazek
Type:
model:article and TEXT
Subject:
19. století, lidové čtení, narativita, forma (estetika), popular readings, narratives, form (aesthetics), 8, and 94(437)
Language:
Czech and English
Description:
This paper analyses the so-called Chapbooks that were being written or translated on the dawn of the 19th century. The authors tried to educate the ignorant peasants, the targeted readers, through their fetching stories. The work shows facts and deeds that were presented as "right" and "wise". First of all it presents the factual public enlightenment, more specifically the altering appreciation of time. Next, there is an analysis of the way the authors were maintaining the cogency of their work; the paper discusses whether the narrative style of writing is compatible with the didactic intention, and the characteristics of the "rational order of explanation"., Barbora Matiášová., and Obsahuje bibliografické odkazy
Rights:
http://creativecommons.org/publicdomain/mark/1.0/ and policy:public

7. Ohlasy filozofie Georga Wilhelma Friedricha Hegela v hudebněteoretickém díle Moritze Hauptmana

Creator:
Eva Myslivcová
Format:
print, bez média, and svazek
Type:
article, články, model:article, and TEXT
Subject:
Hauptmann, Moritz, 1792-1868, Hegel, Georg Wilhelm Friedrich, 1770-1831, 19. století, muzikologie, musicology, hudební teorie, music theory, filozofie, philosophy, filozofie hudby, philosophy of music, 78.01, 781, 101, and (046)
Language:
Czech
Description:
Studie Evy Myslivcové se zabývá vlivem názorů filozofa a estetika Georga Wilhelma Friedricha Heugela v hudebně-teoretickém díle Moritze Hauptmanna "Die Natur der Harmonik und der Metrik" z roku 1853., Eva Myslivcová., Rubrika: Studie, and Německé resumé na s. 229, anglický abstrakt na s. 221.
Rights:
http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public

8. Oskar Pausch: Die Pokornys. Ein Beitrag zur mitteleuropäischen Theatergeschichte des 19. Jahrhunderta. Mit einem Katalog des Nachlasses im Österreichischen Theatermuseum

Creator:
Vlasta Reittererová
Format:
print, bez média, and svazek
Type:
article, recenze, recensions, model:article, and TEXT
Subject:
Pausch, Oskar, 1937-2013, Pokorný, František Xaver, 1797-1850, Pokorný, Alois, 1825-1883, 19. století, divadelní věda, dějiny divadla, dějiny hudby, hudebníci, muzikologie, history of music, history of theater, musicians, musicology, theatrology, Vídeň (Rakousko), Vienna (Austria), 78.01, 792.01/.09, 792(091), 78.071.1/.2, 78(091), and (0:82-95)
Language:
Czech
Description:
Vlasta Reittererová., Rubrika: Recenze, and Cizojazyčné resumé není.
Rights:
http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public

9. Proměny městského účetnictví mezi 18. a 19. stoletím

Creator:
Slavíčková, Pavla
Format:
bez média and svazek
Type:
model:article and TEXT
Subject:
cities, accounting, the 18th century, the 19th century, cameral, Czech lands, města, účetnictví, 18. století, 19. století, kamerální, and české země
Language:
Czech
Description:
The aim of the article is to explain the transformation of accounting with reference to two Moravian cities, Olomouc and Uničov, between the mid-18th and 19th centuries. The article summarizes the concept of cameralism, the practical reasons for accounting reforms at the central level of the monarchy, and the beginnings of cameral accounting in the second half of the 18th century. The first legislation on the introduction of cameral accounting in municipal government dates from 1768; however, even after that year and indeed until 1922, individual cities continued to have a major influence on the specific form of accounting they used. Although sources from the end of the 18th and the first half of the 19th century are preserved only fragmentally, the main change in Olomouc and Uničov, as well as in towns in the Czech borderland studied by Petr Cais, happened around 1850, when the cities started accepting printed forms that remained in use for almost a century. In 1922, binding rules for accounting and cash desk service were published, but this had little effect on the accounting records of Olomouc and Uničov. Their journals and main accounting books maintained approximately the same form and structure regardless of this turning point. Neither did they reflect the various changes in the political system of the Czech state, up until the end of World War II. From this point of view, the cameral accounting technique designed by Enlightenment economists can be seen as a fundamental contribution to the modernization of accounting in our territory.
Rights:
http://creativecommons.org/publicdomain/mark/1.0/ and policy:public

10. Umělec v (pre)modernistickém smyslu: ohlas Máchova díla v literární publicistice po roce 1858

Creator:
Charypar, Michal
Format:
bez média and svazek
Type:
model:article and TEXT
Subject:
Mácha, Karel Hynek, modernismus, 19. století, česká literatura, recepce, publicistika, kritika, modernism, 19th century, Czech literature, reception, journalism, and criticism
Language:
Czech
Description:
This study seeks an answer to the question when and how the Czech romantic K. H. Mácha (1810–1836) started to be seen as a “modern” poet who could inspire authors writing decades after his death. The study proves that the image of “modern” Mácha as the first Czech poet to achieve the autonomy of art already existed between 1860 and 1890, and that Mácha’s artistic reputation grew constantly throughout the second half of the 19th century. This argument is based on a vast amount of evidence, mostly taken from literary journalism and criticism between 1858 and 1910 (the latter year seeing the centenary of Mácha’s birth).
Rights:
http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public